VA - Califia: The Songs of Lee Hazlewood (2010)
Today we journey back to the introspective (read melodramatic!), syrupy, hit-oriented 60’s where production was far more important than the song.
commentsToday we journey back to the introspective (read melodramatic!), syrupy, hit-oriented 60’s where production was far more important than the song.
commentsAnother stunning hi-res recording. This time from the world’s best exponent of Swedish psychedelic progressive extreme folk metal. This is an album that would not offend anyone except maybe the hardcore Swedish death metal die-hard who considers this record the moment Opeth sold their souls in favour of enlightenment and creativity.
commentsTwo tracks in and I’m fucking putty!!!! “Crosseyed and Painless” is such a stunning track it leaves me catatonic and with goose bumps the size of blisters.
commentsIt’s funny how things can become more acceptable over time. OK, I’ll concede that corduroy pants and feral cardigans will never be acceptable.
comments2017. What a fucking pig’s breakfast of a year. It’s been great in so many ways personally, a new Grandchild, a Wedding in Australia and we’re not bankrupt.
comments(punctuated with Tool’s “Stinkfist”) Fucking Kettley’s at it again!! Been out, come home. The prick’s got some awful, bassy house music blarring out his back patio (sounds like it’s coming out of his arse!
commentsI had coffee with a couple of work colleagues today and we got talking about music. (as you do) Among the conversation was mention of the band The Verlaines.
commentsTheme: Theme: Other Forms - three tracks or clips that celebrate, feature or reference forms of art/creativity other than music. Bonus Meta-theme: nominate one track as a Secret Santa-type homage to another SU&L member.
commentsTrying to write some kind of coherent approbation of this record is nigh on impossible. I’ve tried to make sense of it, I really have.
commentsThis wonderfully cheerful, possibly life affirming, record comes courtesy of a random glance at my CD’s this afternoon. It’s Summer, it’s hot and this bigger than life recording does the trick nicely.
commentsReviewed previously on 2nd March 2014 A band that certainly jumped on the punk/new wave band wagon back in the late 70’s.
commentsWe stayed with our very good friends Maurice and Viv (affectionately known as “Mo & Vi”) in Melbourne recently and immersed ourselves in Aussie culture.
commentsJust jumped off the plane from Melbourne (via a Wellington stop over) and brought this double slab of Aussie vinyl back with me.
commentsIt’s December already! Off to Melbourne on Sunday for my daughter’s wedding. I thought it more than apt to honour the Aussies with one of their more competent and revered musical eccentrics.
commentsI randomised my selection this evening. After causing a recent furore over his rather public disdain for Trump, it’s possibly a good time to revisit.
commentsIt was 10 years ago when Robert Plant and Alison Krauss treated the world to a brilliant collection of songs where their rock and bluegrass worlds intertwined.
commentsI was completely wowed by Nadia Reid’s first record, “Listen to Formation Look for the Signs”. It was right up there with my favourite records of 2015.
commentsOne of my watershed albums. As a new college entrant I was now getting exposed to proper, grown up music. Despite this, I still slept and ate everything Reg and Bernie produced.
commentsAnother fantastic sounding remaster from 10cc’s early catalogue. An incredibly diverse range of genres and oh so clever-Trevor-ness. Self-referential and up it’s own arse but extremely engrossing all the same.
commentsI haven’t spent a lot of time with this one, (I picked it up for $1.67 a few weeks back), but what I do hear is not what I expected.
commentsThis record was very recently voted “Record of the Year” 2017 by Uncut Magazine. Up until today, I did not own this record.
commentsI dropped the needle on this big slap of recently remastered ruby red vinyl and gasped in stunned disbeleif. If there’s ever an argument in favour of vinyl over digital - this just has to be it.
commentsCracking retrospective of the legendary punk poet John Cooper Clarke. His is a name that’s cropped up many times over the years but he was not really appreciated until well into his 60’s.
commentsI’m not sure if I was exposed to this record first or the earlier “The Yes Album”. Whatever the case was, the impact was astounding but just not a positive one at the time.
commentsAnother $5 bargain bin escapee. I’ve always been curious about this one but never bothered pursuing. Beautifully packaged, I couldn’t lose!
commentsOMG I need this this evening! The bastards at work are getting me down big time. It’s time to purge. In May 2015 I wrote:
commentsThe themes were: Name Check, Chess Board, Impress Me
commentsThere’s nothing much I can say about this record that wouldn’t demean it’s importance in my musical world. While every track, aside from the rollicking “Doubt” is the epitome of understatement and restraint, it’s the final track “Faith” that will take pride of place in my funeral march or on my death bed (I’m not really one for ceremony).
commentsAnother great bargain bin find that helps greatly with my retro-manic obsession. I was listening to these dudes along with Human League, Heaven 17, OMD and god help us all, China Crisis back in the post punk, new wave, serious band transition period!
commentsHad a big trawl of the bargain bins yesterday (unusual I know!) and picked up quite a few goodies for bugger all.
commentsThis record renders me catatonic. It demands my attention. I close my eyes and can’t concentrate on anything else. It’s impossible to focus on anything when this beast is playing.
commentsJust bought this big, 4-sided monster on vinyl. One of my “Desert Island Discs” without doubt, it is certainly way up there as one of the greatest and most pioneering works ever created.
commentsMick Ronson’s best mate’s classic late 70’s masterpiece. (Ian Hunter was band leader of Mott The Hoople) I bought this amidst all of the punk and new wave I was being bombarded with at the time on the strength of the Ronson/Hunter partnership.
commentsA big, sprawling epic. 4 slabs of exquisite meandering, guitar tinged country blues rock. WTF! It’s also electronica, squelchy pop with a hint of Dylanesque.
commentsPrior to his solo career which kicked off in the late 80’s, he was bass player extraordinaire for Magazine (A definite desert Island band) and Nick Cave’s Bad Seeds (no slouches either!
commentsI first heard the track “Ernie” at our last “Shut Up And Listen” session back in September and was suitably impressed enough to buy the vinyl.
commentsThis is a real flash back to the early 70’s. Rod and Ron and the boys crossed with the sloppy tightness of Mick and Keith’s lot.
commentsAn astounding relic from my precocious multi-genre hopping pop/rock musical ingestion period of the 70’s. I’ve just finished listening to the WTF popcast with a wonderful and frank interview with Alice Cooper.
commentsIt’s a strange one this one. While rubbished by many, Bowie purists and otherwise, this is quite possibly my second favourite Bowie record (my actual favourite Bowie record seems to be one of many!
commentsI had a browse through the latest “Prog” magazine today and felt mildly embarrassed with the imagery and pseudo-seriousness that pervaded through each page turn.
comments1976, I was 16 and entrall of punk and gritty rock’n’roll. My mate, Robert Hiscox and I discovered Tom Petty one idle afternoon.
commentsAs previously proclaimed , Gregg Allman’s “Laidback” is one of my most treasured records. This beautiful posthumous vinyl recording is another wonderful gift that will be equally cherished.
commentsYou know what? Lorde gets cooler by the day. There’s a wonderful recent interview with her on the “WTF” podcast series with Marc Maron, where she raves about her favourite artist of all time, Peter Green.
commentsPicked up this beautiful gate-fold vinyl record for bugger all from the big red shed. (BTW The Warehouse remains my greatest source of musical treasures - now isn’t that just a bit sad?
commentsStill enigmatic after all of these years, 23 of them at last count, I will never do it any justice by talking about it.
commentsBowie’s all over this. While “Low” was the high mark of his career, he lent an almighty hand to the Iguana’s rehabilitation at the same time.
commentsI was a huge Gazza fan back in 1979 when Tubeway Army gave us “Are Friends Electric” on the “Replicas” album.
commentsWhat a load of bollocks to suggest Steven Wilson has sold out. Giving up his more “progressive” attributes to go all “pop” on this, his latest offering.
commentsA package arrived at work on Thursday. This was sent via courier from Wellington after journeying as hand luggage all the way from London courtesy of my Son in Law Matt.
commentsMy first encounter with XTC was this record. Aside from the truly iconic cover that grabbed my attention, it was this record that helped me to move from listening to the marginally talented punk/post-punk bands to proper musicians that took risks.
commentsThe best god damned Albino Blues Guitarist ever born in Beaumont, Texas. Full stop! Another one of those revelatory experiences as a 13 year old when big Sis brings this bitch of a record home.
commentsAnother fucking 3 years!!! Just when you thought “hey this might really happen?”, National hit their slow but steady stride with dirty, stinking politics (and probably just too many selfish voters!
commentsFor such a grumpy bastard, it’s surprising that Van Morrison oozes so much soul and humanity. Reality, apparently, is very different.
commentsI remember seeing Cream’s farewell concert on the goggle box back in the early to mid 70’s. It was fairly brutal stuff that really didn’t hold that much interest for me.
commentsI’ve never owned this record. I bought this classic record on vinyl as a 2 for $40 deal. It kicks arse.
commentsAny band that recycles the mighty Tull, flutes and all, better get away with it. While more an amalgam of everything 70’s, guitar riffs, long hair and flairs - it’s no gimmick.
commentsThe film “The Exorcist” scared the fuck out of me as a 14 or 15 year old. The bits I managed to watch anyway.
commentsAs cool as fuck and on icy blue vinyl to match. The first time I heard the Peter Gunn Theme was on “Peter Gunn” The Art Of Noise 12 inch single featuring Duane Eddy.
commentsI wasn’t much of a Pretenders fan really, but their first record is an absolute stunner and totally vinyl worthly. (when it’s $25 on newly minted vinyl at TWH it’s a no brainer!
commentsI was going to reach for my freshly minted copy of The Jimi Hendrix Experience’s “Electric Ladyland” but my tired demeanour and waning concentration could never do it the justice it clearly deserves.
commentsA mid-eighties gem of a record. This record single singlehandedly moved The Cure away from the dirgy, gloomy (but brilliant) haze of Smith’s earlier vociferation.
commentsThe themes were: Acoustic, Instrumental, Electric
commentsRory was a guitar god when I was 15. This amazing record was always on high rotation and in it’s original 2 LP format, was one of my first ever purchases as an after-school, money-earning, bare-arsed and awkward 15 year old.
commentsWhile there’s more than one Fleetwood Mac, which originated as a hard rocking blues collective and totally trans-morphed into AOR stadium fillers, there’s definitely only one Lindsey Buckingham.
commentsThis guy can do no wrong. This record is highly likely to be voted by all music critics as the best album of 2017.
commentsI picked up this 2x vinyl/2 CD package for an absolute pittance a few months ago at TWH. I had been stalking it for a while and took my opportunity when they had one of their ridiculous sales.
commentsA strange old beast this one!? Smack in the middle of being a rock-noise-electronic record it borrows heavily from a myriad of in-congruent sources.
commentsOK, I raved about this stunning box set that I practically stole from TWH back in July last year. (incidentally I’ve seen it retailing for $299 US on some websites!
commentsThanks Nick, you bought this great slab of vinyl along to Tuesday’s Shut Up And Listen session and the ear worm hasn’t left since!
commentsThey’re a snobby bunch! Prog has always suffered badly when judged by the “mainstream” music press. You won’t see a review of any Marillion record in Uncut, Q Magazine or Mojo.
commentsThe themes were: African American (any musical genre welcome), Lady Singers Only (transgender inclusive), Make up your own theme (no theme IS a theme!)
commentsA far cry from Friday’s everything-bar-the-kitchen-sink early 70’s psycho-soup, this is sparse and demanding of concentration. These are the records I really treasure the most.
commentsBought this chunk of vinyl from Grant Smithies new “Family Jewels” record shop this very day. Hopefully, this record shop will fill the big void for us Nelsonians wanting a decent vinyl supply.
commentsKendrick Lamar is such a great story teller that you sometimes forget what an absolute brilliant producer, musician and collaborator he is.
commentsA major major discovery for me in the early 90’s, Underworld was a serious electronic rock band. Dubnobasswithmyheadman remains an absolute classic record.
commentsI hummed and ha’d about getting this on vinyl and relented today when it finally made an appearance at TWH. I’m glad I did - it’s a fucking monster of a record that deserves the uncompressed, unrestrained bandwidth of analogue.
commentsThis record is just an embarrassment of riches. I really had forgotten just how brilliant this album is. Not a wasted note from start to finish and at over 70 minutes in length, that’s a big ask.
commentsNever heard of The Vaccines until I picked this chunk of vinyl up from The Warehouse many moons ago for 10 bucks.
commentsStunning debut from the kings of goth! Opening with the incomparible “Double Dare”, which I first experienced as a 20 year old, it absolutely jolted me to the core!
commentsOne of the more uplifting RHP records. While it’s really just another Mark Kozelek solo project, it sounds like a proper band.
commentsWhen you add the calibre of Brian Eno and Daniel Lanois to proceedings you just know it’s special. This instrumental album, showcasing some very impressive processed guitar playing and harmonics, borrows from a myriad of influences.
commentsThe wonderful sound of new wave/no wave imploding! Bands like Ride, My Bloody Valentine, Spiritualized and Bang Bang Machine (maybe not!
commentsOne of my most favourite recordings from the mid-80s, this Dutch group made all the right noises. It was electronic, it was goth, it was moody.
commentsI’m not sure why these dudes get compared to Sonic Youth? I’m a big fan of Thurston, Kim and the boys and really struggle with that concept.
commentsIllness does funny things to your ears! Tonight is the first time I have felt like listening to any form of music in nearly 10 days.
commentsThe themes were: Three Piece, Four Piece, Five Piece
commentsA very short lived but brilliant interim project from The Pixies’ and Breeders’ Kim Deal. I always thought that the Pixies and Breeders were misplaced on the 4AD label.
commentsAbout as close to Celtic folky stuff that I would chose to get. I’m not a great fan at all but this record combines Heidi Berry’s wonderful vocal delivery with Violinist Anne Wood’s unconventional but stunning string work.
commentsInsane cover, insanely good record! And all over in less than 30 minutes. I had the pleasure of seeing them support The Smashing Pumpkins in Wellington in 1994.
comments“The Big Dirge” more like it! But amidst all of the suffocation are some really good songs that hark back to the sound I was engrossed with during the late 80’s and 90’s.
commentsI’m reading “Facing The Other Way: The Story of 4AD” at the moment and reliving memories of the truly eclectic music I was exposed to during the post-punk 80s.
commentsI Randomised things and threw a big “D” this evening. I immediately reached for the Cabs. One of the best bands starting with the letter D.
commentsI just so impressed with the $2.95c treasure that was Royal Blood’s first record, I stumbled across in the old Warehouse bargain bins.
commentsGod knows how I got into this in the late 70’s? I know I was listening to Return To Forever and especially 1975’s brilliant “Romantic Warrior” at the time.
commentsThe last few records I’ve listened to have been a bit introspective and at times demanding. This afternoon I’ve gone all Swedish Metal gone Prog, and uncut!
commentsThe themes were: The very first lyrics of the tune must be exactly the same as the title of the tune., The tune must come from an album whose front cover contains no words, no letters, no numerals, no readin’ matter, Fresh
commentsI’ve been listening this for a few months now via Tidal and on the strength of repeated listens I needed to own the plastic, Their best record since Violator it’s also their bit “Fuck America!
commentsIt’s no surprise to me at all that I queued up like many others to get my copy of Lorde’s new record.
commentsAn awesome compilation of music from “the post-psychedelic, pre-progressive moment” - hello 70’s, goodbye 60’s. I heard this playing at “Slow Boat” in Wellington a few months back - specifically Australian Daevid Allen of Gong fame performing a trance-like " Wise Man In Your Heart".
commentsI accidentally discovered Aldous Harding via a co-appearance with Lorde on Jools Holland. The two kiwis both sang on the same night.
commentsThree years on from Goodbye Yellow Brick Road, the world of rock’n’roll was a very different place for me - I’d discovered Patti Smith, Iggy Pop and Lou Reed.
commentsI don’t give a rat’s arsehole what other people think of this record - it’s an amazing record that epitomised the brilliance of growing up in the musical potpourri of the early to mid 70’s.
commentsEndless in name, endless in execution. With most songs lasting around the 8 to 10 minute mark it’s an epic non-stop jam session and an exercise in endurance.
commentsJohn Mellencamp - Plain Spoken (2014) I took a bit of a punt on this record. While not my usual cup of tea, I do recognise that I need to “grow up” a bit and find a softer, more lyrical side to my musical universe.
commentsHad an absolute field day today at the Big Red Shed. (coincidentally, on the Sabbath day!!) Bought the big 8-sides-of-vinyl box set AND the new CD/DVD/Vinyl deluxe box set of their latest album “13” for sod all.
commentsAside from John Grant, try and find a more pure voice in rock than Jim James. As with John Grant’s band, the Czars, it’s really all about the front guy.
commentsBrilliantly murky and minimal, this is the wonderfully named Scottish duo’s first record. The largely spoken vocals (with the broadest Scottish accent you’ve ever heard) and slightly out of sync and meandering instrumentation reminds me of Slint or The For Carnation.
commentsWonderful, but short lived, indie alt-country rockers from San Francisco. This record, their second, is just full of magical hooks and glorious melodies.
commentsThis gem is definitely one of my desert island discs. Without a doubt this masterpiece holds so much significance in my musical journey.
commentsBought the magnificent Tommy Deluxe box while in Wellington recently. I’d skipped it on several occasions as it was just too expensive.
commentsThe themes were: Year of Birth, NZ Hits, Anagram Of Dan
commentsMew don’t tend to stream stuff, so this demanded the purchase of their shiny new CD expertly tracked down on my recent trip to Wellington.
commentsI’ve just arrived back from Wellington where we spent a few days and whilst there, I came across this double vinyl remnant from my early years.
commentsI’m off to Wellington for a few days so I immediately reached for The Phoenix Foundation. However, at the risk of being just too obvious, I decided to go for something Wellingtonesque instead.
commentsThis was another reference in a recent podcast - in this case the focus was on “Post Rock” music. I’ve always loved ambient-infused rock music that strips any “n’roll” out of the mix.
commentsJust finished watching (not intentionally I’ll have you!) a bit of the appalling Graham Norton show. On that show was some god awful female Euro-vision contestant who was about to represent Great Britain in that wonderfully relevant competition for the European community (whoops!
commentsGrinderman at the Coronet, Elephant And Castle, London on October 2nd 2010 was undoubtedly the loudest and most organ eviscerating gig I’ve ever experienced.
commentsAn interesting collaboration between Steven Wilson and lead Opeth(ian) Mikael Åkerfeldt. Far removed from Swedish Death Metal and more like a pastoral electronic folk session with occasional riffage.
commentsI’ve just finished listening to a great interview between Ryan Adams and Marc Maron courtesy of WTF podcast . (I can’t recommend this wonderful podcast highly enough - well worth exploring.
commentsWhat do you play on the day of the birth of your first grand child? (Hello Emma). It’s simply a no-brainer!
commentsNot so long ago, I wouldn’t have touched this sort of stuff with a barge pole. It’s only recently that I’ve delved into English rock pomposity in the interests of expanding my musical horizons.
commentsIt’s my first listen to one of those records, deemed by many, to be absolutely essential to own on vinyl. (Or in any media format for that matter!
commentsLive: Edwyn Collins - Thursday 23/09/2010 - Queen Elizabeth Hall, London This was one of the most emotional and poignant gigs I’ve ever been to.
commentsLive: Steven Wilson - Wednesday 26/10/2016 - The Powerstation, Auckland Holy Shit! What a dream! VIP passes to Steven Wilson’s astounding 3 hour show for me and my boy.
commentsLive: Blonde Redhead - Monday 29/09/2014 - Islington Assembly Hall, London I’ve been a huge fan of this New York-based threesome for many years and was thrilled to see them play live at the awesome Islington Assembly Hall.
commentsLive: Jeff Beck - Tuesday 3/02/2009 - ASB Theatre, Auckland Without a doubt the greatest musician (and quite possibly the most talented bunch of supporting musicians) I’ve ever witnessed and at one of NZ’s premier music venues.
commentsLive: David Bowie - 24/11/1983 - Athletic Park, Wellington What a fucking tragedy! I was just a year or two too young to go to Bowie’s 1978 concerts in Auckland and Christchurch.
commentsLive: The Black Angels/Black Mountain - 07/10/2010 - Shepherd’s Bush Empire, London A wonderful “two-fer-one” at one of the planets best rock venues, these two great stoner groups really stirred up the big Psych pot.
commentsThe themes were: Pioneers, Traditionalists, Pop History
commentsLive: Wednesday 4/02/1994 - Town Hall, Wellington (with The Breeders!)Live: Monday 27/05/1996 - Town Hall, Christchurch I won the album “Siamese Dream” and a T-Shirt at Everyman Records back when it was released in the early 90’s.
commentsLive: Wednesday 13/08/1992 - Town Hall, Wellington I absolutely loved this gig and it goes down as one of the longest I’ve ever been to at nearly 3 hours.
commentsLive: Thursday 25/09/2014 - Islington Assembly Hall, London (with Tanya Donnelly) Without a second thought Dave Narcizo is my favourite drummer!
commentsLive: Friday 19th April 2002 - Queen’s Wharf Event Centre, Wellington (support Melvins)Live: Friday 21st January 2011 - The Big Day Out, Auckland Two unforgettable gigs nearly 10 years apart.
commentsLive: Wednesday 10th January 1996 - Town Hall, Wellington Live: Saturday 26th June 2004 - St.James Theatre, Auckland “The Diamond Sea” played at Wellington Town Hall in 1996 could possibly be my single best live musical “moment”.
commentsLive: Saturday 19th July, 2003 - Town Hall, Auckland Tagged onto the end of a work-related stay in Auckland, this gig was a great way to see out the week.
commentsLive: Tuesday 27th September 2005 - The Olympia, Dublin Not a moment or note was wasted during the Furry’s majestic, life affirming set.
commentsLive: Thursday 20th March 1980, Athletic Park, Wellington. Six months after the release of “Tusk”, The Mac had an infamous melt down on stage at Athletic Park.
commentsSame year and era as Tuesday’s record, but an entirley different beast altogether. An Afro-infused ryhtmic treat. Think Paul Simon’s Graceland but with autotune and a greater pop sensibility (and more hooks).
commentsDirty old psychedelic blues played by Illinoisan brothers Caleb and Ashton Bird. (They call it sludge metal in those parts!) Riff after infectious riff - it’s relentlessness is wall to wall.
commentsTo be perfectly honest, I’ve never been a fan of Daft Punk. This changed this morning while reading my book “Vinyl Me, Please: 100 Albums You Need on Vinyl and Why”.
commentsI’ve got 30 minutes to spare this afternoon. I’ve therefore taken a speed over substance approach. This classic (highly regarded by speed metal purests anyway) is literally all over in a flash - but what a flash!
commentsNext month I’m only playing stuff from bands or artists that I have experienced live. This is a bit of a head start, a band I hold in the highest regard and witnessed live in London in 2014.
commentsWorking at home on a Wednesday demands a certain level of restraint - it’s a work environment afterall. This is a beautiful record to create a relaxed and undisturbed afternoon while pondering the complete fabric of life.
commentsStunning debut from Ruby aka Leslie Rankine. Released more that 20 years ago, this is Nine Inch Nails meets Portishead. Not always easy listening Not always easy listening but invigorating to say the least.
commentsAn amazing compilation of singles and non-album tracks. Incidently, New Order released a compilation a year earlier also called “Substance” .
commentsI recently read the excellent chronicles of Tim Burgess’s bin trawling around the globe, “Tim Book Two: Vinyl Adventures…”) and picked up this lovely 2 LP to accompany it.
commentsReturn of the Giant Progweed.
commentsI hated this when it first came out on Tidal. Very average to my ears and I just about gave up on it.
commentsOK, I’ve let the cat out of the bag. The Mars Volta live at The Big Day Out on Friday 16h January 2004 was the single most incredible live act I have ever witnessed.
commentsI’ve never heard Taylor Swift’s 1989 album . Ryan Adams covers it in it’s entirety on this record - track-by-track. I’m not interested in comparisons however, as this stands alone.
commentsIn the early 80’s, when I first encountered this recording, it was one of the supposed “Dinosaur” bands that just slipped this record in and made themselves right at home with new wave.
commentsThis just sounds majestic on my turntable. This is another example of a record best experienced on vinyl - spread over 4 sides, there’s plenty of breathing space in those grooves.
commentsThis band never ceases to amaze me. I’m trawling through their entire back catalogue (going back to the mid-90s) where they were first discovered and nurtured by Sonic Youth’s Steve Shelley.
commentsAin’t nothing but the blues. Great early recordings from a bunch of hairy English blues obsessives. With the exception of The Who, has there ever been a more devastating outfit than this bunch of ruffians?
commentsIt’s after 9pm on a Thursday evening. Kettley arrived home next door late afternoon and cranked up his Pearl Jam. (I’m so pleased I declared this on my 10 bands I fucking hate list!
commentsI flipped an “N” on my randomiser. With less than a dozen artists to choose from I went for the midling and picked New Order’s forth record.
commentsThe first thing that hits you is the BIG production. Being on vinyl it feels impossibly expansive. It’s a go slow from the first track and I’m checking the deck speed.
commentsFor god’s sake how many copies of Aqualung does one need! When you come across a brand spanking 40th Edition Super Deluxe version (LP,2CD,DVD,Blu-Ray) for lest than $50 you grab it as quick as you can.
commentsThis record, along with Zoot Allures, is my favourite Zappa album. While I’m not overly familiar with much Zappa, (I’m not a clinically obsessive fanatic), I just know what I like.
comments$9.98 at TWH buys you a double recording on beautiful blue vinyl featuring 16 reasonably blissful and VERY adult oriented rock tracks from 16 different artists.
commentsVery recently pressed on beautiful blue vinyl. I got another one of my desert island discs delivered on vinyl today. While not as loud as I really wanted, (I remember reaching astounding volume when I used to play this on vinyl), it certainly sounds rich and spacious.
commentsA remarkable debut from Manchester duo. While seemingly labelled within the “drum’n’bass” genre, it is far too good to be tarnished with that brush.
commentsThe themes were: Must be Track No 1. , Must feature electric slide guitar, Must have a playing time of between 2 minutes 57 seconds and 3 minutes 3 seconds, Bonus Track
commentsMy mother used to play Herb Albert and The Tijuana Brass. He was the king of easy listening jazz and I remember some great tunes.
commentsI quite like prog (which stands for progressive rock). It’s a bit pretentious, like jazz, meandering, like classical. and definitely not mainstream, (un)like pop.
commentsI needed a short, sharp burst of proper metal-infused, hard-edged rock this evening. Hopefully to fuck up the neighbours (who have a tendency to party into the wee hours) but unfortunately you need a really crap sound system like theirs to do the damage.
commentsI picked up a fantastic boxed, hard back book at TWH a year or so ago “The Beatles - The BBC Archives”.
commentsI was never a Marillion fan but when you are confronted with a brand new, mint copy of their highly regarded 2nd album for $9.
commentsToday is John Lydon’s birthday. Being empowered with this knowledge, I immediately reached for my collection of PiL (Public Image Limited) records, Lydon’s post Pistols collective.
commentsI just couldn’t resist getting this widely acclaimed, newly remastered record on vinyl for the measly price of $15. The only downside, Paul Henry’s favourite song, the second song on this record, is “Baker Street”.
commentsPicked this up for a bargain at the great TWH sale. (Incidently, where else in Nelson can you actually buy vinyl?
commentsWhen TWH has one of it’s big vinyl sales, you betcha there’s some goodies to be found. Ranging in price from $9.
commentsPossibly XTC’s most reviled album but for me it’s just full of wonderful moments. This is post Andy Partridge’s melt down and led to his refusal to ever tour again.
comments“Harmless enough!” you might think but by the third song you are fully infected/affected by their luxurious folky pop mantra. Possibly the most laid back bunch of Scots on the planet, they just continue to make wonderful records.
commentsAs a young person in their 18th year, I can still remember walking into my local record shop and hearing Bowie’s astonishing “Low”.
commentsFucking hell, what a mixed up old time this was! In the midst of a punk maelstorm, this proggy, hippy, trippy masterpeice comes out of nowhere and completely changes everything.
commentsYou find a better debut and I’ll eat Kettley’s pajamas. I’m with Richard on this one! A proper, bona fide rock classic.
commentsWhile a bit samey - it’s a great samey. Just Mr. Frame and an acoustic guitar. It’s all very mellow and full of wonderfully simple tunes and sentiments.
commentsA tasteful compilation of 4 Stereolab EPs released between 2005 and 2006. The way this was recorded and compiled from separate recording sessions makes this a very palatable and fresh record indeed.
commentsThe song “Heart Skipped A Beat” completely does my head in! This is the entire The Cure’s “Seventeen Seconds” wrapped up in one song.
commentsA great way to start the year. This gem, recently purchased on vinyl, sounds as much the outsider as it did 23 years ago.
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