Angel Olsen - Burn Your Fire For No Witness (2014)
I had absolutely no idea what I was going to play on this, the final day of 2018. I tried to be objective and choose something that’s on my “best of” list.
commentsI had absolutely no idea what I was going to play on this, the final day of 2018. I tried to be objective and choose something that’s on my “best of” list.
commentsOrange Juice was never one of my favourites but like any good beverage, it can be an acquired taste. Sipped slowly and mixed with other flavours.
commentsThe relevance of this album is obvious. It’s a simple little record of Low doing Christmas stuff. Essential themed Slowcore.
commentsI was helping to deliver my boy and his groomsmen to his wedding venue on Sunday, when Peter (my son) turned on the car stereo.
commentsI’m in a very specific mood this afternoon as tensions build towards Sunday’s big event (my lad’s wedding day). I tried to listen to one of my bargain bin haul items (Jaco Pastorious - Jaco OST) but that was no where near up to scratch and lasted a couple of tracks.
commentsHere it is…and STILL my favourite record of the last 2 years. I bought the vinyl while in Auckland recently. As it stands, it’s close to being my most vinyl-worthy record in my entire collection.
commentsToday we lost another musical legend in Pete Shelley . While The Buzzcocks weren’t directly on my own personal radar his influence on British and American music is without question.
commentsAnother stunning release from Sunderland’s Brewis brothers. Purchased from Marbecks on a recent Auckland excursion, this very vinyl-worthy long player is clearly made (on clear vinyl), for needle and groove.
commentsThese were strange days indeed! If you haven’t already listened to Cocteau Twins you won’t ever be ready to listen to Cocteau Twins.
commentsAs explained last month, My Computer’s second album “No CV” is way way up there as one of my greatest discoveries.
commentsNow this record is just frightening! As previously mentioned, I’ve been watching the latest/last series of Twin Peaks and every episode gets stranger, darker and more bewildering than the previous episode.
commentsI was first attracted to My Computer by the mythical and magical debut release “Vulnerabilia” which I never managed to get a physical copy of in any format.
commentsThe themes were: STEM (science, technology, engineering, mathematics) , One track to commemorate a 2018 rock death.
commentsThe six years between 1976 and 1982 probably had the greatest impact on my musical roadmap. I had a big preference for British punk and new wave around that time and this evolved into electronic abrasiveness and the intentionally (very) unconventional.
commentsI watched the first episode of the latest Twin Peaks “Limited Event Series” last night. OMG! It is way, way beyond what I expected.
commentsWhat a disjointed old month this has been. A day trip to Wellington, 2 nights in Auckland and back again to Wellington for another 3 days over the last couple of weeks has made me crave for my home roots.
commentsIt’s a fucking outrage that this record isn’t even listed on Dimmer’s discography on Allmusic.com Not only is this one of NZ’s best ever records, it’s an extraordinary example of world class songcraft and production.
commentsI possibly heard about this record while listening to the “All Songs Considered” podcast on one of my mindful(less) walks. It was one of those WTF moments where you stop in your tracks and take note of who and what before it’s all lost.
commentsWhat a big old pleasant surprise this was then! I bought this at Real Groovy in Auckland recently with the carrot of a “$5 off” sticker gracing the front sleeve.
commentsI needed some chill down music this evening. I’ve just arrived back from Auckland after a spectacular live show last night at one of the best venues I’ve ever been to.
commentsOne last spin before venturing to Auckland to see the Prog God in the flesh. This is my second Steven Wilson trip with my boy Pete.
commentsGreat reinterpretation of Bowie songs by the original cast members of “Lazarus” - a stage show commissioned by Mr. Jones himself just prior to his death in 2016.
commentsDebut release from big boy Cambridge rockers. While it’s not …… hideous, it’s not something I’m likely to have on high rotation.
commentsI could rave for all eternity on the utter brilliance of todays Tidal release. I’m not going to coz you all know I’ve had this SW addiction for some time now and I’m probably preaching to the unconvertable.
commentsThere’s simply no denying that this record is a true masterpiece. I’m not a Queen fan by any means but this is without question one of the high points of the 70’s.
commentsA randomly chosen selection this evening. Despite being four decades since their highly revered, smack-you-around-the-head trio of utter brilliance, Mr Colin Newman and Co return with a very worthy stunner that harks back to their best.
commentsI have only listened to this record 3 or 4 times. It is a truly unsettling experience and I do mean this is the most positive way.
commentsI’m far from being a musical snob, but I did try and hide Phil’s face as I discreetly slid the monstrous double vinyl cover across the counter before parting with my $19.
commentsThe themes were: Electronic , International, Rock
commentsA very classy, post-break-up-with-hubby record produced by T Bone Burnett. There’s some real texture and reverby guitar added to proceedings that is in real contrast to her previous “clean” rockabilly recordings.
commentsI knew absolutely nothing about this particular gatefold sleeved, double CD wedged amongst the boxes of unloved discs sitting under the big “clearance” sign.
commentsA talent like this doesn’t come along very often - ahem, unless you come from the lower South Island. Nadia Reid, Aldous Hardling and Marlon Williams are part of the mother folking good South Island Kiwi’s pushing their esoteric but trending trendy, angst-ridden tunes around the globe.
commentsI swear, I will NEVER attend a live Mogwai event. I’m long past going to sonically damaging gigs where your ears fight for recovery for the next few days and your internalised speech sounds like an old transistor radio.
commentsI heard a great interview on Radio New Zealand this morning with songwriter, producer and documentary maker Mark Tierney. He was responsible for the wonderful Strawpeople.
commentsAny album that includes a track with banjo, 11 piece Indian violin ensemble, sitar and Mazzy Star’s Hope Sandoval is alright by me.
commentsAnother souvenir from one of my bin diving adventures, this is a very interesting mix of musical genres. To actually determine what those genres are however, is a rather perplexing challenge.
commentsLove em or loath em, Genesis after Peter Gabriel and Steve Hackett left, became even bigger stadium fillers and fully transformed into mega selling, production line pop superstars.
commentsIt’s Friday. It’s literally the weeks end. Time to give your brain the heave ho and leave all pretensions at the front door.
commentsIt’s well over 20 years since Tricky’s “Maxinquaye” stunned the music world and topped most “best of” album lists for 1995.
commentsI still haven’t trawled through all of my $2 “take-a-punt” CDs from Te Whare Putunga. After my Steven “Bloody” Wilson marathon last month, I’m ready for some fresh sounds.
commentsSimply put, this is probably the most perfect Steven Wilson/Porcupine Tree release in the entire SW catalogue. It’s a big subjective statement to make but it’s hard to prove otherwise on the strength of this brilliant record.
commentsAnother great release for a SW/PT newbie to wrap their ears around. This record, along with “In Absentia” and “Deadwing” would be the perfect place to start appraising Mr.
commentsThe themes were: _ONE SHORT TRACK of any given artist or band of no more than 3 minutes. , ONE LONG TRACK of any given artist or band no longer than 18 minutes _
commentsBehind the veil. One of the best props I’ve ever seen at any gig is the transparent/translucent cloak that Mr Wilson’s band plays behind on this 2012 recorded gig and also experienced live for most of his 2016 gig in Auckland.
commentsThis is Mr Wilson at his most progressive. It’s Genesis, it’s King Crimson, it’s fucking Return To Forever. There’s a crash hot ensemble playing all around him and aside from vocals he does take more of a back seat on this performance wise.
commentsYet another piece of the musical heritage puzzle that is the Steven Wilson brand. This early 90’s record is a largely experimental, but highly accessible pop record made in collaboration with vocalist Tim Bowness.
commentsIt’s Spring! I’ve been ruthless lately, ridding myself of all the unnecessary shit that gets in the way and starts to irritate.
commentsThere’s a Steven Wilson gig in Auckland to attend in several weeks time so I’m getting more acquainted with his most recent stuff.
commentsI’m just thinking - I started my 12 year “career” at my current work place soon after this was released. Now that’s just crazy!
commentsNearly a decade prior to the release of one of my favourite SW moments, 2002’s “In Absentia” where things started heading North towards metal, this gem is a previously neglected treasure trove of progressive rock meets psychedelia.
commentsSteven Wilson and Aviv Geffen return for their best collaborative effort in donks. A true Blackfield return to form I reckon.
commentsImagine my surprise a couple of years back going into The Warehouse and discovering this big chunk of vinyl along with two other equally exciting Steven Wilson recordings.
commentsThe Tree stripped bare. This is an instore, mainly acoustic set, with just Steven Wilson and John Wesley accompanying him on guitar and backing vocals.
commentsThe first Porcupine Tree record I really listened to. And what a way to listen to it! - in all of it’s 5.
commentsThe opening slide guitar on “Even Less”, the first moment on this record, completely does me in. It’s pure wall to wall class from then on.
commentsMr Wilson’s first “actual” solo album made at the peak of Porcupine Tree’s popularity and critical acclaim. (For those who had actually heard of him and the band that is!
commentsWhile this is deemed the first Porcupine Tree record, it’s actually Steven Wilson’s first solo album prior to any actual PT album, recorded in his bedroom studio under the pretense of it being a fully formed band.
commentsThis was my first exposure to the eccentric world of Mark Oliver Everett (aka E) and it remains my favourite Eels record.
commentsI was never a great Doors fan. To be fair I never really listened much to any American music until … gulp….
commentsFuckin’ Canadians! Sarah has the TV permanently tuned to Channel 17 on Freeview. HGTV is dedicated to the very best in home improvement, DIY design, real estate and gardening - Canadian style!
commentsHome on a Friday evening with Tuesday’s SUAL session still reverberating. I reach for my iPhone and dial in The Dan.
commentsOne of the most astounding debut records ever, The Bunnymen were like a breath of fresh air at a time of unprecedented musical diversification.
comments“The Pod” and especially “Pure Guava” was my (and fellow SUAL’er Martin’s) introduction to the absurd but incredibly inventive and musically proficient Ween.
commentsI love the “LateNightTales” and “Back To Mine” compilation series curated by many guest musicians, over many years. Last count, there’s about 50!
commentsAnother $2 random roulette choice from the big red shed. To be fair, this has some great and not-so-great moments. I think the good bits outweigh the less satisfying bits - so I’m not losing sleep over my impulsive purchase.
commentsEarly 70’s music doesn’t get much more inventive than this. A biggie record for me from undoubtedly the most fertile of musical eras.
commentsThe definitive antithesis of “Pop” music, these anti-establishment aural activists return 35 years after their last release with a snarling, menacing go fuck yourself monster.
commentsAn album of it’s time. But perhaps timeless? Allmusic.com - Review
commentsDouble vinyl recording of a live radio broadcast from Kansas City circa 1974. I was not feeling overly adventurous when I randomised this evening’s selection and grabbed this safely stashed away 2LP set.
commentsThese Nebraskins are clearly locked inside a mid-80’s time warp. There’s lots of electronic noodling, trance-like ridums and some ever so pleasingly analogue synths at play.
commentsA criminally underappreciated band that I simply couldn’t (perhaps can’t) get enough of. Peter Perrett’s fragile, vulnerable, between-keys voice is stunningly authentic and matched for uniqueness and virtuosity by John Perry’s amazing fret work.
commentsThe themes were: Round/circular, Heaven/hell, Circus, Bonus Track
commentsI’ll be honest, I’m really not sure if I like this or not? As I’ve always proclaimed I’m not really a lyrics man.
commentsNitin Sawhney’s first record, which I encountered at the end of last century, was a game changer for me. Jeff Beck covered the track “Nadia” from that album a year or two later and it was soon after this that I joined the “ Shut Up and Listen ” group on the strength of that one song.
commentsThis is another recently discovered gem of an album on my Tidal play list. Another great road album that made my journey back from Goblin Bay not long enough.
commentsThrow a bit of Lizzy, Skynyrd and some James Brown in the mix and this is what you get. It’s a crazy mélange but these Texans really make it work.
commentsSyd gets his obligatory annual outing. I never tire of this. Ok, it’s “Dad Rock” but if you can’t appreciate this as a stone cold classic, you are musically brain dead.
commentsI didn’t see this coming at all. On first encounter this was totally unexpected. For some reason I had previously assumed M83 was some lo-fi, punky angst band from France and had always thought their acclaimed album “Dead Cities, Red Seas…” was some sort of Green Day/angry band revamp.
commentsI spilt my coffee all over my desk at work and into my back pack this black Friday morning. Coincidence, not really - shit happens sometimes and I was a fuck wit for being so careless.
commentsAnother trawl through the bins at Richmond’s big red shed has again delivered a great return on investment for my time, patience and perseverance.
commentsMesmeric debut from Sydney duo Au.Ra. I’m not prepared to put a label on it but it’s up there with a couple of other favourite and recent Aussie releases.
comments“Remember where you were yesterday” is a sentiment conveyed in the liner notes on this record dedicated to founding member and drummer Jon Brookes, who died of a terminal illness just prior to its recording.
commentsWell Wang Dang Sweet Poontang! You may wonder why on earth would I be watching this red neck, right wing, NRA high priest, racoon tailed, misogynist geriatric play to an audience of mostly chubby fellow white trash devotees.
commentsAbsolutely brilliant solo album lovingly crafted by the Super Furry Animals frontman. I listened to this yesterday on my journey back from Golden Bay.
commentsWoody Guthrie purists are particularly disapproving of this release - it does show up in the reviews. Get over it people, Dylan went electric decades ago and it was about folkin’ time.
commentsSome of my favourite vocalists appear on this final collaborative outing for Mark Linkous, who died just months before it’s release.
commentsA brilliant relic of 60’s rock and possibly one of the most famous compilations of all time. Great to have this on vinyl.
commentsThis record is more often than not completely rubbished by the music critics. This debut by the ex, and once second-in-charge Floydian, is full of trademark Gilmour and recalls great memories of me playing this with great regularity.
commentsI did the $2 grab bag from TWH this afternoon. Picked up eight quite obscure albums (including The Pop Group’s “Citizen Zombie” and Iron and Wine’s “Sing Into My Mouth”) - all for under 20 bucks.
commentsOk “Wired” was my first exposure to Geoffrey Arnold Beck, and what a watershed moment that was!!!!!. However, this record lives on as my favourite JB recording.
commentsRichard, who I know is very fond of this record, played “My Finest Hour” at last night’s Shut Up and Listen session.
commentsThe themes were: USA, UK, U Choose
commentsI paid nearly $7 for this gem at The Warehouse. It’s just outrageous! My “five bucks” catch phrase is getting harder and harder to substantiate these days.
commentsSome times it’s not fair being a bottom-shelfer! Some of my favourite albums are not always in easy reach and may at times get completely overlooked.
commentsFuck it, I just needed something completely disposable tonight. A long day, a long drive and an absence of any musical intelligence.
commentsFaultless post-Hüsker Dü record from their legendary front man. Despite a brain melting wall of guitars, it’s the hook of great melody amidst all of that power that prevails over everything else.
commentsI can’t remember if I biked over or caught the bus to my destination of Napier 15 miles away, but I do remember being there for the Saturday afternoon screening of “The Song Remains The Same” in ‘76 or ‘77.
commentsI finally got to watch the fantastic XTC documentary “This Is Pop” today via some dodgy streaming service (ok, I was desperate!
commentsI’ve listened to Peter Green’s Fleetwood Mac, up to and including the excellent “Then Play On” and the megastar Linsey Buckingham-era Fleetwood Mac that peaked with “Rumours” and “Tusk”.
commentsThis very strong debut catapulted this band into indie superstardom and you can hear why. (actually, prior to putting it on I had forgotten it was their first record!
commentsMore from those seminal years then. Thank god punk and new wave eventually came along to rescue one from the dinosaurs that prevailed but there really was no other period for rock like the early to mid 70s.
commentsI make no bones about it. Mick Ronson was/is the most important guitar player of my lifetime. It’s a bold statement - but when you first encounter “Moonage Daydream” as a bare-arsed 12 year old, it counts for everything.
commentsI went for a nice solo walk on a cold, dull morning - just me, my iPhone and my Sennheiser Headphones.
commentsThis particular record obviously didn’t mean anything to me as a 7 year old when this was released in 1967, but five or 6 years later I definitely remember hearing Hendrix on a big set of headphones at my local church youth club.
commentsThis record, along with their earlier “Very ‘Eavy Very ‘Umble”, Tull’s “Aqualung” and the incomparable and never bettered, The Who’s “Live At Leeds” were HUGE for me as a shy, day dreaming, on-another-planet 12 year old.
commentsHow the shitting hell did I miss this one?? I’ve been a devoted (pardon the pun) Depeche Mode fan since 1997’s “Violator” and have worked backwards as well as including all subsequent releases to ensure I get my full fix.
commentsI actually bought this record on the strength of the worlds greatest biologist and non-theist mischief-maker being mentioned on the album cover.
commentsI rolled a random “R” this evening and immediately reached for “Riverside”. They are without doubt, Poland’s best progressive metal band.
commentsIt’s astounding to realise that this gem was made more than 20 years ago! Played for the first time in it’s entirety in at least a decade, I am reminded of just how good it is.
commentsThe themes were: Raw abrasive knee-buckling hard- swinging boogie!, The hook., Repetitive.
commentsEvery so often I catch the bus (reluctantly) to Richmond. (This endlessly sprawling and souless “location” where I just happen to work, would never be on any of my “favourite-places-to-be” list.
commentsOK, I won’t piss around. This is one of the most pretentious, grandiose and utterly brilliant albums in my entire collection.
commentsIt’s a hard job staying relevant in the music world when what is deemed “the best years” are close to 25 years ago.
commentsIt’s a mixed bag for me this one. Some of the more experimental stuff grates but then the record completely absolves itself with some incredibly hooky bass-lines and riffs and several songs to die for.
commentsThese dudes started off as a post-new-wave, gothy-punk-avant-garde-noise-band. (It’s a proper musical genre, I’m telling you!) However, I didn’t become aware of them until they morphed into a fully fledged white boy funk band and five albums into their 4AD label tenure.
comments[Original 1980 Japanese pressing from Lo Cost Vinyl in Jackson Street, Petone] I just spent the weekend in Wellington and restricted my purchases (with the utmost of restraint I must say!
commentsAlong with last year’s wonderful “Savage”, this earlier release just ticks so many boxes. It’s dark. It’s heavy. It’s impossibly catchy and it’s possibly the most unfashionable record in my entire collection.
commentsWhat a fucking glorious racket!! This recently discovered quintet hail from San Diego and this monster is their first release in 14 years.
commentsI’ve decided it’s music-streaming-month. I’m now spending more on streaming services like Tidal, Amazon Music and YouTube Red and far less on a physical CD or vinyl record.
commentsAnother big bonkers record from the Super Furry’s. This, their 3rd record, is as good as any in their catalogue. They simply do not know how to make a dud record.
comments[5.1 DTS SW Remaster] What a revelation this wonderful recording is. While my Tull experience really started with “Aqualung” and “Living In The Past” and ended with 1978’s “Heavy Horses”, their back catalogue is well worth exploring.
commentsIt’s taken a few days to recover from our latest “Shut Up And Listen” session. I have been bereft of enthusiasm following an at times mind-warping journey through seven unique musical showcases of iconic musicians.
commentsThe themes were: Choose a musician, performer or whatever and 3 tracks which feature that special person.
commentsThis is where it all started with me and the Lizzy boys. The best dual guitar attack since Dick Wagner and Steve Hunter ambushed Lou’s “Rock’n’Roll Animal”.
commentsOK I cheated with this one. I’m streaming this into my headphones via hi-res Tidal on my iPhone as I make my signature dish, chicken biryani rice for this evening’s meal.
commentsConsidering the date this was released, it was remarkably ahead of it’s time. It must have sounded absolutely bonkers when I first heard it.
commentsI initially tried to listen to an electronic record (Meat Beat Manifesto) this evening but I just wasn’t in the mood at all.
commentsAl Di Meola was about 12 years old when he joined Return To Forever in 1973 for the classic rock fusion lineup of Chick Corea, Lenny White, Stanley Clarke and himself.
commentsA bit of magic on this Friday the 13th. Appropriately kicking off with “Black Dog” the diversity and musicianship on this record doesn’t relent until the final note is squeezed out.
commentsThis Monday night debrief requires serious frivolity. This under-the-radar masterpiece is filled with an impossible array of the most luxurious sounds courtesy of two very clever Finnish wax spinners.
commentsFollowing the final lancing of punk’s great big oozing boil, there emerged some of my favourite bands and musicians. This was in 1978 and through the early to mid eighties.
commentsI’m at it again I’m afraid. I’m playing it safe and listening to my goto band . One reason why I love this band is that includes possibly my most listened-to-artist of the last 10 years - Mr Steven Wilson.
comments“Expert” reviews can really be polarising. I nearly didn’t watch a very good thriller the other night, a most entertaining and exciting Jackie Chan/Pearce Brosnan movie “The Foreigner”, coz at least half of the reviews said it sucked.
commentsI’m just about to dig into the book “Black Postcards: A Memoir” by Wellingtonian Dean Wareham, founder of Galaxie 500 and Luna.
commentsA random letter choice this evening. (Thank you Son In Law Matthew). Technically, you could argue that “The Jesus And Mary Chain” starts with a “T” but for my filing purposes it’s under “J”.
commentsWhen I just want to be pounded by some melodic pomp that doesn’t require much investment in meaningful listening I usually turn to the wonderful Blackfield.
commentsA brilliant $2 bin trawl item that is now a highly regarded musical artifact in my collection of other musical artifacts.
commentsThe themes were: No hablo Ingles - A track that is not in English., Dubnobasswithmyheadman - Let’s celebrate great bass players. , Non retro - A recent discovery that celebrates modern, contemporary music.
commentsWhen I hear Daniel Ash play his guitar, it always reminds me of Mick Ronson without The Thin White Duke chewing on his guitar strings.
commentsOK, I completely missed St. Paddy’s day despite encountering numerous green-haired, Guinness lugging, thin white dudes through out the day yesterday.
commentsAnyone who thinks Kanye West is a total and talentless plonker should be strapped to a chair and made to listen to this all the way through.
commentsGot this big chunk of glorious translucent green vinyl via courier yesterday from Real Groovy in Auckland. I’ve been streaming this beauty for the last couple of months and simply can’t get enough of it.
commentsOne of the most overlooked British bands ever, Mansun completely piss all over the best of them - especially the god-awful shite pushers, Oasis.
commentsWhile not held in the same regard as an “Autobahn” or “The Man Machine”, this mid-80’s effort remains one of my favourite Kraftwerk records.
commentsThere’s a real glut of Kiwi talent at the moment but fortunately this doesn’t dilute the quality of what’s on offer.
commentsRight time, right place! I popped into the big red shed this afternoon in mild anticipation (as is always the case) looking for that not-so-elusive bargain.
commentsAn extraordinary record that never fails to confound me. Japan wasn’t really a band that fitted in at the time (or at any time for that matter!
commentsI’m not sure why a fat, mascara-dripping, lipstick-smeared, aging gothic clown with big hair playing the most maudlin dirge on the world’s ugliest guitar is so engaging.
commentsIt’s goose bumps time again! One of the best British bands in recent history, lead singer Brett Anderson takes a big dollop of Bowie’s glam and mixes it with Morrisey’s glum.
commentsI threw a “T” and reached into my alphabetised “T” section for this little gem. And it really is a wee gem.
commentsThis is such a great snapshot of sleazy 80’s English disco delivered effortlessly by a brilliantly deviant “chatty man” Marc Almond and electronic knob twiddler David Ball.
commentsThis record is without question one of my top 10 albums. And if you are talking about pioneering electronic records, it’s second to none.
commentsExperimental German Rock And Electronic Music 1971-81 I wasn’t overly keen on going for a pint on Saturday despite it being muggy, late-afternoon, a spontaneous activity and tempered with a perceived sense at least, that it would more than likely result in a free beer.
commentsI left home in 1977 and remember trying to find my “cool”. I never did find it but this was as close as I got to at least planting a seed.
commentsLed “Folking” Zeppelin. After hearing Fairport Convention’s “Reynardine” the other night at our monthly “Shut Up and Listen” session, I was struck by the Led Zeppelinesqueness (yes it really is a word - google it!
commentsThe themes were: One Word Songs. (Bonus points if led by a woman singer), Bonus Track
commentsJust organising some tracks for tonight and thought I really needed to play a track from the wonderful Yo La Tengo.
commentsAnother messy, lower than lo-fi chunk of American noise/Krautrock from London’s Hamstead. WTF, I always assumed they were American! After some fact checking I found out they were actually part of the Camden lurch scene of the early to mid 90’s.
commentsOne of my favourite slabs of vinyl gets some rotation time this afternoon. I usually don’t bother with remastered, re-purposed and re-marketed records that have an abundance of demos, b-sides and obscurities that you might listen to once.
commentsI laughed myself silly this morning while walking the dog with my wife Sarah. On the last stretch home, Sarah stopped walking, hopped on to one leg and proclaimed “I’ve got stones in my groove”.
commentsI should have played Rory this evening. “Too Much Alcohol” perhaps? OK it’s Friday post-work - we have two choices. Go home and do some housework or have a friendly pint at The Free House.
commentsI was really hesitant about playing this record today and as I later found out, for very good reason. On a morning walk with the dog, I listened to my favourite podcast, Marc Maron’s WTF .
commentsI picked this up a couple of years ago on vinyl at some second hand shop but hadn’t felt any need to give it a spin since.
commentsRemember this day! It’s up there with JFK’s assassination and the death of Lady Diana. But in my world, undoubtedly, more significant.
commentsThis is the Talking Heads record that got away. While familiar with some of the songs on subsequent live records or compilations, this is the first time I’ve actually had the pleasure of listening to the whole record.
commentsTheme: “take the rough with the smooth” (however you wish to interpret).
commentsOne of my go to records when you just want to get smacked around the head (sonically speaking) without any serious investment or effort.
commentsI listened to the solo album of sibling Peter Brewis last night and just couldn’t get enough. (I just had to listen to a couple of tracks multiple times to un-suspend my disbelief).
commentsThe moment I pushed the small, shiny, bit-encoded, digital data storage format, optical disc into my optical drive transport and digital analogue conversion mechanism, I instantly realised “Fuck this is good!
commentsThrew a random “C” this evening. Too hot to think about objectively choosing something to listen to. This will do quite nicely thank you.
commentsHeard a great song on the way home from work today by kiwi band “Supermodel”. It reminded me a lot of Prefab Sprout.
commentsThere’s something rather comforting about Laurie Anderson. She’s very much an “Emperor’s New Clothes” protagonist. While written following the big financial crisis of 2008, it just seems so relevant in today’s bonkers world.
commentsThis husband and wife led Quebecois collective hail from Montreal, home of Arcade Fire. While their sound is just as monstrous it definitely feels like it comes from another planet altogether.
commentsOne of my all time favourite records. The day has come to give it it’s annual outing in wonderful 5.1 DTS surround.
commentsNothing heavy this evening, just throw me some hooky grooves that take me to my happy place. While this ain’t proper jazz, there’s far less maths going on in these tracks, it’s just enough for me to dip my toes into on this balmy evening.
commentsIt’s a bit scary putting this record on when people are around. I was happy when my wife Sarah left the house this evening midway during the first track.
commentsMy first foray into pre Buckingham-Nicks Fleetwood Mac and it’s a fucking mess! And that’s brilliant. Think “Tusk” a decade later?
commentsI swear Jason Lytle played a busker’s set at the Saturday Nelson market a few months back. My son Peter can confirm it.
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