XTC - Black Sea [2017 Steven Wilson Mix] (1980)
Gone are the days of trucking over to Wellington and coming back over-endowed with swags of shiny new CDs and DVDs.
commentsGone are the days of trucking over to Wellington and coming back over-endowed with swags of shiny new CDs and DVDs.
commentsHoly Mother this is intense! While on the far left side of the heavy spectrum musically, it’s but a whisper, it still jolts you to the core.
commentsThere’s no shortage of Who compilations. For me, this is the big, vinyl-worth one. 21 brilliant tracks covering 50 years, this is the ultimate showcase of their greatest, radio-friendly hits.
commentsReleased just a few months ago, this debut record by LA trio “Automatic”, is possibly my find of the year. On non-stop rotation for the last couple of days it’s wormed it’s way into my brain.
commentsIt’s funky time. This new record maintains the high standard of previous releases. There’s no real surprises just straightforward reggae infused R’n’B and dub.
commentsI’m not a proud man. How could I resist this 2016, 40th Anniversary Legacy vinyl picture disc for just $22! I’ve never really bought into the whole picture disc thing but in this case it convinced me enough to buy this record.
commentsThis record is like your very own private audience with Bill Callaghan. The songs are intimate and slightly discomforting, but it’s always very, very engaging.
commentsIs this the perfect pop record? A faultless masterpiece from Swindon’s finest. Aside from the Beatles, I cannot think of another consistently brilliant band.
commentsI recently spotted a reference to Group 1850 in a recent “Shindig!” magazine. [By the way Shindig! is now on Readly , an incredibly cheap and efficient way of getting access to ALL of your favourite magazines digitally.
commentsA big hefty chunk of vinyl playing at 45rpm, a “hidden” track on side one you play backwards, a pop-up cardboard engineer in the recording studio inside the lavish gatefold cover, and lots of a complete off-kilter, genre-bending tunes/experiments throughout!
commentsAn extraordinary and incendiary relic of the punk/post punk era. Musically and politically, this is such a grab bag of the best bits of the last five years of 70’s England.
commentsOn Tuesday 3rd March 2020, my latest musical obsession, Stereolab are playing at the San Franscisco Bath House in Wellington. As I may have alluded to previously, I’ve been gathering Stereolab’s entire back catalogue on magnificent triple, clear-vinyl reissues.
commentsThe themes were: Worst track on one of yer favourite albums., Jumpin’ Jack flashes a gas gas gas!!!, Lean on me!
commentsI had a few turntable issues this evening which nearly derailed my listening pleasure. I eventually tracked it down to being an interconnect cable issue.
commentsGot may latest fix of triple clear vinyl from The Labs this evening - 2LPs actually - that’s 6 slabs of mindfucking magic and album numbers 8 and 9!
commentsI would have bought this wonderful record just for the cover alone. It’s certainly a great (in stereo) representation of the pleasures within.
commentsI’ve been looking out for a vinyl version of this treasure for a while now. I happened to find it in Hamilton and this is probably the antithesis of that dump.
commentsThe most consistent Aussie band of all time, these dudes just haven’t put a foot wrong during their 40 year career.
commentsWhenever I hear Autobahn, I place myself back in the family home in Hastings in 1974. That was a huge moment for me - the day Casey Kasem played the edited, radio friendly version of “Autobahn” on the American Top 40.
commentsI don’t give a tinker’s cuss what these dudes are on about but the sonics, bottom end, verbal riffage and discomfort on this record is second to none.
commentsWhile the Germans are responsible for the abomination that is the DIN connector they are also responsible for some of the most influential and amazing music on the planet.
commentsThis is in my top 10 records. This is not one of those records that was a right of passage or a sign post or fork in the road on my musical journey.
commentsI heard “New Music with Grant Smithies” for 11th Oct 2019 via podcast this morning. One group particularly stood out for me.
commentsI lugged my big Bowie box #3 down stairs into the lounge this afternoon and played what is probably Bowie’s last great album recorded at the arse end of the 80’s.
commentsSRV’s first and best record. Boosted by a guest slot on Bowie’s “Lets Dance” and a free recording ticket courtesy of Jackson Browne, this debut just oozes raw talent and authentic blues.
commentsA glorious racket! They say there were several bands, including Pavement, that ripped off the Fall sound. That’s complete bollocks! Absolutely no one, now and then, sounds like The Fall.
commentsThere’s a lot of syrupy dream pop pouring out of my speakers this morning as I ease into the day with this treasure.
commentsCertainly “of it’s time” this jazz-lite record still treats the ears. I’m sure I didn’t pay the $6.99 of the sticker price still attached to the disc but got it along with about 15 other DVD-Audio discs on one of my afternoon raids to the Red Shed.
commentsR.E.M has got a bad rap from our Shut Up and Listen group over recent years. I can’t recall anyone playing an R.
commentsThe themes were: An iconic, revered track that challenges the mainstream., A stand-alone track or one that is representative of an album not appreciated at “the time” but redeemed by further scrutiny., Let the fireworks begin - it’s Guy Fawkes after-all.
commentsDie Antwoord still goes down as one of my most gob smacking live music moments ever. Entering the big Boiler Room dance tent completely cold and expecting nothing, I encountered little pixie Yo Landi Vi$$er in full flight “ah ah ah, I am your butterfly - I need your protection”
commentsThe Lips have always been very generous with their non-standard CD releases - if you can find them. Most of their seminal records, including “The Soft Bulletin” “Yoshimi Battles The Pink Robots” and “At War With The Mystics”, are also available with bonus 5.
comments“Just when I thought I was out, they pull me back in!” There’s no getting away from it, a great song will always be a great song.
commentsIt’s 6 days since I’ve actually sat down and listened to a full record. Family do take precedence, especially when there’s tiny tots involved, but it is a sacrifice you make never the less.
commentsAnother great haul today. I’ve been eyeing up the vinyl bins at TWH lately ready to pounce. I bought a swag the other day but this Kiwi classic, a 25 Year Anniversary remaster, was still retailing for $49.
commentsTalk about eclectic! This is just about the epitome of it. Jarvis Cocker the un-coolest/cool person on the planet, does a snapshot of seven years of his Sunday afternoon radio show.
commentsAnother cheapie from The Warehouse. As I’ve stated before, you need to loiter there at least once a week and you will usually be handsomely rewarded.
commentsA fantastic second outing for this Oxfordian power trio. Barely out of nappies when they wrote this, I’m thinking to myself “I bet a lot of musicians wish they wrote that one.
commentsI’ve got a shit load of Stereolab records to work through. 22 sides of beautifully remastered clear vinyl in fact. There’s a new batch of their later catalogue remasters coming soon.
commentsOne of my greatest live experiences ever was witnessing Jakob play live at some dodgy club in Nelson to an audience of about 10.
commentsOne of my favourites at the moment and on high rotation (if there’s such a thing for streaming content) is this absolute gem from newcomer John Myrtle.
commentsWhat a fucking amazing record! What a fucking amazing woman! When the track “Your Ghost” starts off, my goose bumps are the size of golf balls!
commentsA great place to start if you are completely new to Caravan(ing). Spanning the late 60’s, early 70’s, it’s got such a fantastic folky, psychedelic vibe that leans somewhat towards a progressive rock sound.
commentsThis freebie grab bag from one of our Shut Up And Listen sessions, is hitting all of the right notes. Reminding me a lot of Zero 7 and St.
commentsI’ve listened to this multiple times over the past few months and it’s just sooooo laid back I just about fall asleep everytime.
commentsI’ve gone walkabout with my iPhone and this is usually now my default for new music. I have definitely changed my original stance on only listening properly on a decent stereo system.
commentsWhat’s the first album you play on your brand new turntable? One of the most iconic records of all time - that’s what!
commentsGreat guitar-based, instrumental solo record from Marillion guitarist Steve Rothery with special guests Steve Hackett and Steven Wilson. Whilst it may be too much to do it justice in a single sitting, there’s some great guitar playing from the main Steve.
commentsI’m always a bit reluctant to lock into the old mainstream dinosaurs from yesteryear just in case I completely lose my street cred.
commentsIt’s always a bit of an experience getting Lana’s new big chunk of vinyl onto your own turntable. Arriving by courier this very afternoon, it’s a big double gatefold package encasing two heaving 180g records.
commentsThis big proggy rocky thing is a real treat. Bought for just $12 in some bargain bin in a Melbourne mall, it’s a superb album that rewards you more on each subsequent listen.
commentsWedged between “The Stooges” and “Talking Heads” in my highly alphabetasied and well sorted vinyl collection, is this true punk masterpiece.
commentsThe themes were: The “SHAKE” record, where it shifted or consolidated, The “BANG” record, where it shifted or consolidated again
commentsPlease don’t judge me but this early eighties gem is a lot better than anyone, including myself, ever gave it credit for.
commentsIt’s taken all of the last 25 years to find a proper version of this record with the correct unadulterated track listing.
commentsI’ve been tweaking my new stereo system in the lounge lately. (No more heaving Stonehenge down my stairs every 6 months to host a Shut Up and Listen session!
commentsAnother beautifully eclectic and somewhat experimental offering from the post-punk, gothic sweethearts. Siouxsie Sioux is in fine voice and John McGeoch (ex Magazine guitarist) is now fully ensconced in the band.
commentsMy (not so) recent trip to Melbourne yielded some surprising good Aussie music that continues to reward. One of my favorites was Dope Lemon’s “Smooth Big Cat” on pretty picture disc vinyl - it’s just fantastic!
commentsFantastic debut record from a band I couldn’t do any sort of justice by trying to describe. Led by French vocalist Laetitia Sadier, this just oozes cool.
commentsI was really prepared to hate this record. This was one of those Siouxsie & The Banshees records I had never given the time of day.
commentsThe theme was: You have a total of up to 18 minutes (or less) at your disposal to play and fill as you wish (and that others can bear).
commentsIt’s only been 14 years since their last record! What’s the big deal! Listening for the first time with my best pair of headphones, it’s something I thought I would never hear in 2019.
commentsFantastic on first listen - this just hooks you in right from the needle drop. I’ve always avoided Kurt Vile because I was never sure what to expect.
commentsAbsolute awesomeness from the worlds best band from Oxford. Recently purchased on vinyl to add to my “must-have-on-vinyl” list. There’s a few “must-haves” from the R-Heads.
commentsOne of my less-than-$2-purchases, this completely bombastic, thickly layered, schizo-genre jumper is nevertheless an intriguing and baffling listening experience. There’s nothing here resembling a real instrument but the beats and hooks are infectious.
commentsThis early compilation of non-album, alternate takes and BBC sessions is The Smiths at their rawest. Love him or loath him, I can’t imagine someone other than Morrisey singing these songs.
comments“Chains” is right up there on top of my favourite Kiwi songs list. Thankfully, this debut record by Post-Supergroove funk-rocker turned Hip-Hop Maestro Che-Fu is of equal quality throughout.
commentsIt’s 50 years since The Beatles walked across that pedestrian crossing opposite Abbey Road Studios. While not quite displacing “Help” as the most significant Beatles record for me, it’s comes pretty close.
commentsOne of my greatest experiences ever!, was witnessing Chris Knox going completely beserk at The New Levin in the late late 70’s.
commentsI’ve just about finished with my Aussie haul and I may just have picked the best for last. Meandering along without much effort by the time it gets midway, I’m absolutely hooked.
commentsJust when I thought it was safe to abandon a proper stereo system for a look, no-hands, wireless streaming service-centric solution, I get sucked right back in!
commentsThis is another record from my newly acquired Aussie collection kindly gifted to me by my Wattle Glen friends from the Shire of Nillumbik (About 25 km North East of Melbourne).
commentsAnother cracking good record from our neighbours across the ditch. I didn’t know what to expect when I first put this on.
commentsI finally got this big MF of an album on vinyl! This is one of those watershed records, along with Jeff Beck’s “Wired” and Santana’s “Caravanserai/Moonflower”, that helped to define and steer my musical encounters for the next couple of decades.
commentsI procured three newly minted records on vinyl from The Big Red Shed yesterday afternoon, two Fat Freddy’s Drop records and this, Marvin Gaye’s masterpiece.
commentsDebut album from Sydney’s Deep Sea Arcade. 12 impeccable tracks over 38 minutes makes for another quick fix of Aussie Pop-Rock.
commentsI was (and still am) a big fan of the dirgy, ethereal, dreamy sounds of mid-eighties Cocteau Twins, Lush, Ride and the collective sounds of This Mortal Coil.
commentsWhile the Aussies continue to under-perform in the sporting arena, those playing for the psychedelic dream pop team are scoring a lot of points on the ear candy ledger.
commentsThe themes was: Three tracks showcasing the human voice - with the usual encouragement to creatively interpret, misinterpret, cause offence, push the envelope, overstep boundaries and cross lines in the sand.
commentsOn pristine clear vinyl Another big slab of early Stereolab. Unrefined and noisy, it’s a fantastic and very unsettling journey.
commentsThis record just shouldn’t work. News Flash: Low, the protagonists of slowcore, embrace abrasive percussive elements and discordant organ textures. What it does uphold though, is the wonderful solo and harmonised voices of Alan Sparhawk and Mimi Parker.
commentsSunday afternoon is not a time to get the heavies out. Something soft and bouncy is called for. Hot Chip is a London band reportedly on the fringes of dance music and whatever the fuck “alternative” music is?
commentsOne of my newly acquired possessions appropriated during a recent raid of “The Family Jewels”. Who could resist the Stereolabs on 6 sides of see through, clear vinyl?
commentsMy top NZ Desert Island disc. Definitely my most played NZ record of all time and finally purchased on vinyl. It’s big, it’s bold, it’s brilliant!
commentsOne of my all time favorites, this record just oozes class. Buying this on vinyl was a no-brainer. Getting a free copy of this astounding album on hi-res DVD-A along with the vinyl copy was the icing on top.
commentsI made the big mistake of popping in to see Smithies at “Family Jewels Records” at the Freehouse this afternoon. Hey, we were just going for a pint, chunky sandwich and some of Steve’s famous chips.
commentsWith Robert Plant confined to a wheel chair recuperating from a serious motor accident, and John Paul not tickling the ivories so much, it’s the Bonham and Page show.
commentsI’m surprised Lana Del Rey has never performed at the Roadhouse in Twin Peaks. She’s just made for such a venue.
commentsI remember exactly the moment I bought this from Everyman Records. It was in 2003 and it was such a surprise to see this 20 year old relic compiled onto one collection.
commentsImogen, my youngest daughter who’s staying with us for the weekend, randomly selected the letter “F” this evening. Without hesitation, I selected The Flaming Lips and this their post millennial masterpiece.
commentsAnother vinyl gem picked up from TWH. Allmusic.com - Review
commentsIt’s been a fucking ridiculous week! A quick trip to Hastings, a week ago today, where I sat with my father overnight and through part of the next day when he finally lost his battle with life.
commentsThe themes were: Two tracks that you know from the past, but have not played for at least 15 years, And one track that you discover after the session at David’s last week
commentsThe Cure at their bleakest. This record, the third record in a trilogy of misery, “17 Seconds” and “Faith” preceded this, makes a lot more sense in these days of utter dispair.
commentsThis is not a typical The National record. In fact, if you like The National, you may not like this record.
commentsAnother NZ recording artist I’ve admired since first hearing the wonderful “Chains” released nearly 2 decades ago. Brilliantly produced and sounding massive.
commentsGot a bit of a haul from The Warehouse this evening. The Cure’s “Pornography” & Che Fu’s “Navigator” both on vinyl, The NZ polynesian/Maori music compilation “Heed The Call!
commentsHaving a 5 hour bus trip ahead of me to contend with works out to be the perfect opportunity to listen to a couple of new records courtesy of Tidal.
commentsWhat a completely bonkers show “ Now Apocalypse ” is. I’ve no hope of ever explaining what it’s about but just to say there’s some great incidental music happening throughout.
commentsAnother record that’s most definitely vinyl-worthy sounds absolutely extraordinary oozing from my speakers this evening. Probably my favourite Dan, this album never stops being a revelation each time I listen to it.
commentsGood old fashioned dirge from the bowels of mid 90’s grunge. Layne Staley was always a favourite of mine with his courageous authenticity.
commentsI just couldn’t resist buying this big slab of reduced-price, double vinyl, completely unheard on one of my now rather rare excursions into the big red shed.
commentsThe themes were: Influenced: One song representative of the music your parents played. , Influenced: One song representative of the music your parents played. , Influence: One track that you would consider to be one of the most important songs you would want your children to listen to., Influenza: Go Sick! Infect us with something new and affecting.
commentsI attempted to listen to this on headphones the other night but only managed a few tracks before narcolepsy took hold.
commentsThere’s been a few miracle comebacks lately, notably this morning’s incredible thrashing of Barcelona 4-0 by Liverpool FC to book their place in the Champion’s League final.
commentsI’ll wager a bet. You find a more riff-tastic record than this anytime soon and I’ll eat all of my neighbours Rhododendrons.
commentsI was completely stopped in my tracks early one morning last week by a wonderful bit of British Folk Rock playing on the radio.
commentsThere’s really no shame these days in admitting you once enjoyed (and still do) the sonic aesthetic of the less than revered artists of yesteryear.
commentsI’ve just finished watching the 80 minute Game Of Thrones battle scene (Episode 3 Series 8). I’m not an obsessive GOT fan but it is brilliant television all the same.
commentsI’ve made a pact with myself to listen to a brand new new release or brand new old album (or whatever you call a collection of songs by a single artist or curator these days?
commentsThis, PiL’s 2nd outing, is equal parts atrocious and astounding. It’s also possibly one of the most challenging and divisive records in my entire collection.
commentsWhile I’ve heard the odd song from the album over the years, I have never listened to this record in it’s entirety.
commentsThere’s a scene in the Sopranos, I don’t know what season, yet alone what episode, but someone gets whacked around the head with a telephone at the “Badda Bing” club.
commentsCabaret Voltaire sounded like a precursor to the Underworld sound way back in the late 70’s, early 80’s. While not nearly as accessible they were the original conventional noise assassins.
commentsMy first ever encounter with Midlake was this, their second record. OK, I’m not a proud man but America’s “Homecoming”, which is way up near the top of my “guilty pleasures” list, springs to mind.
commentsThere’s just no “in between” with this guy - you either love him or loath him and most people will judge him based on his public persona.
commentsIt’s Friday night - it’s sonics over substance tonight. These Swiss electro-noise terrorists totally anilate all the rule books and smash you around the head with some of the heftiest beats and riffs imaginable.
commentsIt’s very difficult to try and say anything about the genius of Mark Linkous. Talking about or trying to explain his music is mostly futile.
commentsMy favourite record so far this year would have to be this noisy little gem from Clementine Creevy’s LA collective. 10 tracks of pure, mid-90s grungy angst.
commentsAlways one of my favourite records, the importance of this landmark record by Iggy and The Stooges was reinforced this morning while on my Sunday ramble over to Raglan Roast.
commentsJust grabbed some feel-good, proggy-pop-rock-metal-whatever-the-fuck-you-want-to-call-it this evening (it’s Friday) and it’s had an immediate pay off. You know the feeling when you just can’t get it loud enough and it gets into your synapses and you think “holy fuck” how good is this!
commentsCompilation of B-sides and other non-album tracks that makes up part of the Doves “Box Set”. Picked up for a pittance ($2.
commentsThe themes were: The “BANG” record, where it shifted or consolidated again, Extra Track (Quiz Winner), The “BOOM” record, where it all began
commentsFantastic live set with his band “The Gentlemen Rocketeers” in front of a very small select audience at the Metropolis Studios in London back in 2011.
commentsA few weeks ago the music world lost Keith Flint, vocal protagonist of The Prodigy. While a complete monster on stage and a savage in the studio, he was apparently one of the nicest, kindest and most thoughtful souls on planet music.
commentsAnother fantastic record from the world’s most forgotten band. Criminally ignored but now highly revered. A new documentary, Youtube , about Adrian Borland, the enigmatic but ultimately tragic leader of The Sound, is about to be released.
commentsA big moment happened today that will potentially have a huge impact on my future consumption of music. While near the checkout with several albums ready for purchase tucked under my arm, (including this), the realisation suddenly hit me that “I don’t need physical media” anymore.
commentsFull title - The Myths and Legends of King Arthur and the Knights of the Round Table What the holy fuck was I listening to back in the early 70’s?
comments16th March 2019 - RIP Dick Dale. Richard Anthony Monsour, born in Massachusetts in 1937, was revered as one of the most influencial guitar players and as a bonus, the God Daddy of surf music.
commentsWhile it’s a blatant Pink Floyd ripoff - it’s a fucking good one. Recorded in the early 90’s, this was made during Mr.
commentsIt’s hard to believe that the Doves first record, the wonderful “Lost Souls” with that astounding lead-in track “Firesuite”, was made in 2000.
commentsThe themes were: An oldie but a goodie: A tune chosen by your better half , A tune that prominently features an ukulele (Tiny Tim and Hawaiian music have had their turns, step aside)., A tune that prominently features a string orchestra (Neil Sedaka or Rossini not welcome today).
commentsMost people just wouldn’t get this and I wouldn’t want them to. Matt Berry, who is due to be one of the stars of the new “What We Do In The Shadows” TV series, is a acting, comedy and musical genius.
commentsNothing short of profound, this turn-of-the-new-millennium record, with ostentatious string arrangements by Tony Visconti, is a beautiful mess. I’d never be one to recommend Mercury Rev’s singular vision and introspective execution as a “must have” for any one’s music collection.
commentsToday I read something about the band Sleeper reforming for a new album so thought I’d do a recap of their debut.
commentsThis record is the late 60’s crooning Scott Walker NOT the so-fucking-out-there, avant-garde-doesn’t-do-it-justice Scott Walker of a more recent era. That later day Scott Walker still claims top spot for the most profound Shut Up And Listen session ever experienced in nearly 2 decades!
commentsThe recent death of Mark Hollis at just 64 years of age was a big shock. His early songs from the first three Talk Talk records, while sounding clearly of their time in the mid-eighties, were the epitome of pop hook on continuous replay.
commentsA beautiful return to form for Paddy McAloon. A cast-aside solitary CD recently (re)-discovered in a Red Shed bargain bin. There’s absolutely no let up in quality from his (Prefab Sprout’s) earlier masterpeices “Steve McQueen” (1985), “Jordon: The Comeback” (1990) and the astounding “I Trawl The Megahertz” (2003).
commentsI haven’t finished with Bowie just yet. This record from 1972, coinciding with the release that year of Ziggy Stardust, is my third favourite Bowie record.
commentsFor me the last great Bowie record. It’s abrasive and harder edged in places than “Low” but is similarly radical with it’s mix of ambient textures.
commentsI remember like it was yesterday popping into one of many of my favourite record shops on my way home from school and hearing this complete game changer for the first time.
commentsThank fucking Christ for this record! This was a big return to form for the Thin White Duke. Nothing was ever conventional for Bowie after this record.
commentsThe single “Young Americans” was a real surprise when I first heard it on the radio. While the R&B sound was hinted at on “David Live” I don’t think anyone was expecting this.
commentsHere it is! Not my favourite Bowie record by any stretch but definitely in my most important records of all time collection.
commentsThe themes were: Black, White, Colour(s).
commentsFor me THE high water mark of Bowie’s whole career. The whole album is basically all reflex in my brain. I know every note, every nuance, every lyric.
commentsThere’s possibly nothing in my entire collection that is as ageless as this masterpiece. The fact that my son Peter listened to this in his car on his wedding day speaks volumes.
commentsI’ve waited what seems like an eternity to play this. I’ve just returned from a week away and within the first hour of being home I feel a real anticipation that turns into necessity, to get on with playing Bowie’s second record.
commentsI’m breaking out the Bowie box sets this February. It’s wall-to-wall studio Bowie records only this month - starting with this, his first “proper” album through to 1980’s “Scary Monsters”.
commentsOk I admit it, I dabbled with New Age music! Luckily it was a fleeting indiscretion that only came about from exposure to a couple of Windham Hill samplers.
commentsPurchased the day of re-release from HMV in London during 2016, this remastered/re-jigged vinyl compilation of early live Zeppelin recordings just keeps on giving.
commentsThis record, just released a matter of days ago, has really caught my fancy. After hearing her interviewed and each track reviewed on a recent “All Songs Considered” podcast, it was top of my list to give a proper listen.
commentsA placebo is a substance that has no therapeutic effect or a measure designed merely to humour or placate someone. Placebo, the band, are more often than not treated similarly by the music press.
commentsAne of my favourite musical adventures was seeing Pavement in the flesh at The Caledonian Hall, in Christchurch on Wednesday 13th July 1994.
commentsIf you haven’t listened to this band, I urge you to drop everything and do so right now! Start with this fantastic record, circa 1972, then work your way up from 1969’s “Monster Movie” through to 1973’s “Future Days”.
commentsOk, more “Dad” rock this evening but there’s a good story behind this one that involves The Big Red Shed. While browsing the vinyl bins recently I came across this beast of a box set newly remastered on 4 big slabs of vinyl.
commentsA classic dance/drum’n’bass/rock/metal cross-over record that absolutely slam dunks all of the big beats, electronic riffage and squelchy brilliance. We lost a past “Shut Up And Listen” member because of this band (notably “Smack Your Bitch Up”).
commentsAn absolute stonker of a record this evening. This is truly a forgotten gem from the very short-lived Seattle supergroup made up of members of Alice In Chains (Layne Staley), Screaming Trees (Barrett Martin), Pearl Jam (Mike McCready - who I tolerate big time on this record) and some dude called John Baker Saunders.
commentsIn Concert At The Royal Albert Hall 2018 was an epic year for me in many ways. Add a live Steven Wilson gig in Auckland into the mix and it’s an icing-on-the-cake moment.
commentsIf you don’t get goose bumps during Ronson’s “Moonage Daydream” solo you are fucking deaf and probably musically bereft. The end of “Soul Love” as it counts down into the first note of that song is also as perfect a moment on any record that I can think of.
commentsYou may be thinking “it’s 2019 and this Geezer is still play fucking Supertramp”. While not everyone’s cup-of-very-British-tea, this particular record is a significant bit of ear candy for me.
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