The Subliminals - United State (2000)
There is just so much to love about this record. The track “Uh-oh” alone would be worth the price by itself.
commentsThere is just so much to love about this record. The track “Uh-oh” alone would be worth the price by itself.
commentsBob is very angry! Hunkered down in his bunker while America burns and Trump tries to chip his way out, Bob creates some of the most vitriolic, heart-on-his-sleeve commentary he’s ever recorded.
commentsI’m definitely in no hurry to get rid of my CDs. They still have plenty of life in them yet. If you have a half decent player they can still sound extraordinary.
commentsThis record is made for live performance. It’s wall to wall fuzzy guitar and singin’ sheilas. What’s not to like?
commentsNothing prepares you for this. The beats are big, and at times there’s a semblance of texture, structure and a hint of song craft.
commentsIt’s hard to know what to play on Christmas day. It’s not a day to go all out hardcore or overtly political.
commentsI could listen to Jarvis Cocker recite the phone book (do we still get those?) or possibly of more practical application and in keeping with this record, “The Origin Of The Species” The second song “Must I Evolve” is a question I ask myself every day.
commentsMy mind is mush, any thoughts of being productive went out the window a week ago, it’s survival mode only. Another work do (which was great), good wishes to all and it’s now time to let go completely.
commentsThis second record from Dublin’s Fontaines (Dublin City) has that early 80’s urgency that bands like Echo and the Bunnymen, The Fall and The Smiths had in spades.
commentsBeing sandwiched between “Goodbye Yellow Brick Road” and “Captain Fantastic And The Brown Dirt Cowboy” doesn’t help. To me, “Caribou” it was just another great Elton John record which I enjoyed as much as the others.
commentsA punk-funk-soul one-two that leaves you dazed and delighted. That’s the headline. I just love taking risks with music but at the same time I’m quite hesitant when considering my choices.
commentsJamie Smith (XX) and his main collective The XX, are very hard to define musically. Despite borrowing from many different sources they still seem to be bereft of any definable genre.
commentsYou’ll want to listen to this record sober. Just saying. After returning from one of many end-of-year work dos, and putting this record on - my advice would be to play something a bit more conventional.
commentsI’ve been saving this. This is Giant Sand’s 10th record. I bought my first, and only prior Giant Sand record, 2015’s “Heartbreak Pass”, a few years ago.
commentsThe themes were: Discoveries of the Year 2020, Looking forward to 2021
commentsHere comes the Martian Martian! Even for Jonathan Richman, this record is totally unexpected, extraordinary and otherworldly. And that is saying a lot about a Jonathan Richman record.
commentsThis is a great example of some of the most challenging, original and richly rewarding music being made in 2020. It’s been a feeble, and in many cases, a febrile year for most people.
comments“The Modern Lovers”, from 1976 is in my top 10 records of all time. (The Modern Lovers was also the name of the band fronted by the Jonathan Richman.
commentsAt home feeling a bit under the weather today. Not really in the mood for anything too abrasive so reached for some neo psychedelic alt folk music.
commentsFrom 1969’s “Empty Sky” to “1976’s “Blue Moves” (his last great record which I’ve only just began to appreciate), Elton John and Bernie Taupin produced 11 remarkable studio albums.
commentsAs previously explained , this was the compilation that was playing the track “Danger” by Pylon as a spooky coincidence when I walked into The Family Jewels on Saturday.
commentsThis pre-loved record has obviously been played to death and there’s a few pops and crackles in evidence. However, it wasn’t until I saw the debris on my stylus that I realised that I needed to do some immediate needle maintenance.
commentsThis new record by The Bats is like a big warm sneaky hug. As each song meanders along on it’s lackadaisical way, it’s easy to think “what’s happening here?
comments“Acid Folk, Folk Rock, Freak Folk, Whatever”. This anniversary edition (currently streaming via Tidal) is another revelatory experience from yester year.
commentsThis is another magnificent box set comprising of 6x LPs, 13 CDs, a 7’ single, deluxe book, posters and other paraphernalia.
commentsA big box arrived via courier today. Now here’s something. I ordered this on Friday morning - it arrived mid Monday morning.
commentsRare funky songs from the Arabic world. This wonderful compilation is worth the price alone for Omar Khorshid’s version of the late 1960’s hit “Pop Corn” (*)
commentsThis is actually my very first listen to this highly revered, post punk band from Athens, Georgia (now hasn’t that been in the news lately?
commentsSoul Jazz Records Presents Experimental German Rock And Electronic Music 1971-83. This is volume four of the absolutely brilliant compilation series of early Krautrock.
commentsEveryone should have at least one copy of this on stand by at all times. If you need some background music, it works.
commentsIggy looks extremely happy on the cover of this record with a grin a mile wide. Why wouldn’t he? He’d just been thrown a great big life line from David Bowie - who co-writ and recorded this and the preceeding “The Idiot”.
commentsOh by jingo this is good! The Man Who Sold The World Tony Visconti 2020 Remix! Ronno makes his first appearance following his thrown-in-the-deep-end BBC sessions of 1971.
commentsThis record never ceases to reveal something new each and every time I take pleasure in listening to it. (Now that’s a bit spooky, I googled a review of the record and found the following echoing my thoughts.
commentsEven though the world has gone completely bonkers, this sounds perfectly out of place and refreshingly unhinged. Heavily influenced by Krautrock, “Bitches Brew” Mile Davis and spooky soundtrack music for non-existent horror movies, it’s a bit disconcerting to say the least.
commentsThe themes were: Memory , Implicitly humorous ( oh…go on then…explicitly counts too!) , Grandeur
commentsYet another ace ACE Records compilation lovingly curated by Bob Stanley. I continue to hoover these up like nose candy. This is happy clappy, hippy dippy, hip hop.
commentsAnother fabulous example of late 70s New York No Wave that’s further perpetrated by French invader Lizzy Mercier Descloux. Take some of Serge Gainsbourg’s Afrobeat, combine with Blondie’s disco-inflected punk and Talking Heads’ world music-inspired art pop and you get the drift.
commentsComplete and utter 12" remix trash heaven this evening. I picked up this triple LP, 2019 compilation out of one of the bargain bins at JB-Hifi for $10.
commentsI was completely absorbed and inspired to play this following a recent bus commute from Richmond to Nelson. (if I’m honest, the bleakness of this record is warmly welcomed after another day working in that dreadful town they call Richmond!
commentsI just couldn’t resist picking this beauty out of the forever expanding bins of prestige new records at JB-Hifi (at The Hutt) and adding it to my ever increasing haul of vinyl-worthy, North Island souvenirs.
commentsI did NOT expect this! A few of those try-hard Psych bands could learn a trick or two from these dudes.
commentsNot only an underrated band, THE MOST underrated band of all time! I’ve gone on about the poor hand “The Sound” were dealt on several occasions.
commentsI’m loving listening to compilations and movie soundtracks at the moment. A good soundtrack is often as memorable as the film itself and usually provides an eclectic mix of styles and artists.
commentsI found this at The Warehouse in Whanganui on shiny new bright blue vinyl. This is a recent re-pressing/remaster (2018) and cost me $20.
commentsThis hefty 5 LP box was one of the finds of my recent trip up North. Id been looking for this on CD for years without much luck so jumped at the chance of owning this on premium Polyvinyl Chloride.
commentsThe themes were: Jimi Hendrix original or cover, and now extended to any other virtuoso performer!, Sadness, Joyous/ joyful
commentsIf you started your Bowie introduction with this record, that would be a bit unfortunate but palatable at least. It was definitely the beginning of the slide into his own level of mediocrity that lasted the next 10 years.
commentsThis is a slightly bonkers, completely trippy, alien mantra by ex Spaceman 3 co-founder Pete Kemper aka Sonic Boom. Just a warning if you are thinking of ever listening to this.
commentsIt this It? I really think it is! While not just about the best debut in musical history, it’s also one of it’s greatest records.
commentsAnother fun-and-fan-filled and somewhat obscure Bowie-related compilation - this time courtesy of Mojo Magazine. (Uncut Magazine released a couple of Bowie cover compilations back in 2003 and 2008).
commentsMore dirgey psychedelia from the Wooden Shjips’ trippy guitarist and leader Erik Johnson et al. While it gets a bit samey across several albums, (this is my forth Moon Duo record), it’s exactly the samey that I really like!
commentsI just can’t stop raving about ACE Records. The latest compilation, show casing the mid-70s, is another brilliant sampler of the music of the time.
commentsMore “Jazz Club”! Madlib invades Blue Note. With unfettered access to the Blue Note catalogue, this record is a mangle of classic jazz that’s completely reinterpreted and re-flavoured.
commentsAlong with Cabaret Voltaire, who had taken a bit of a right turn mixing menacing electronic textures with funky dance rhythms in the early to mid 80’s, I was totally hooked on the electronic/hip hop mashups of Mantronix.
commentsThere’s some truly gut-busting, funky minimalism going on here! It’s dance-punk if you really want to label it. The Scroggin sisters, which hail from The Bronx, which now include a new generation of daughters playing in the group, have been around since the late 70’s.
commentsI give Elton’s “Your Song” the same respect as I do for Bowie’s “Space Oddity”. Both fantastic songs released within 6 months of each other, but the albums from which these songs originated were never on my radar until much later.
commentsThis band couldn’t make a bad album if they tried. Over nearly 30 years, and since 1992’s revelatory “May I Sing With Me”, I have been totally absorbed by their unique and consistently brilliant musical journey.
commentsI must admit, I was expecting a bit more of a sideways move from Mr. Berry. (He of “Frost Of London”, “The Mighty Boosch” and the US version of “What We Do In The Shadows”).
commentsA gorgeous mid-nineties dreamy shoegaze record of the highest order. For the unsuspecting, it can be an otherworldly swirl of guitar noise and way-down-in-the-mix vocals, but it’s never short of a spine tingling melody within that dirge.
commentsNewly acquired, this is Record B (now finally out on vinyl) of the wonderful series of early (1972-83) experimental German rock and electronic musik by Soul Jazz Records.
commentsDouglas R Hofstadter would have a field day with this one. Hofstadter’s Law states that “It always takes longer than you expect, even when you take into account Hofstadter’s Law.
commentsThe themes were: Planes, Trains and Automobiles , Hey this isn’t my usual genre?, Hey this isn’t my usual genre? (Bonus Track), WTF - Who was that?
commentsIt’s quite apparent within a few seconds how sonically pleasing the old 12" singles and EPs are. Some of the best sounding LPs are now getting pressed over several sides of vinyl as 45rmp.
commentsI finally picked a vinyl copy of this mid-90’s trip hop (whatever?) classic today. If ever there was a record that was vinyl-worthy - it’s this one.
commentsYou know what! The Warehouse is really shite! Once upon a time, and not that long ago, I’d regularly come home with a bundle of bargains under my arm or in some cases, enough to fill my boot.
commentsAlong with Low, Pavement and Stereolab, the Tengos have been nothing but consistently great. This record is a wonderful blend of early Velvets and post-Daydream Nation Sonic Youth.
commentsThis is a great relic and snapshot of life in Thatcher’s England. “Inglan is a bitch, there’s no escaping it!” While it is politically and socially charged in places, (Mr Johnson could really getaway with singing about anything), the reggae/dub soundtrack in support of Linton’s wonderful prose is just fabulous!
commentsThis first (and unfortunately last) record by Silver Jews leader, David Berman, has made many a “best albums of 2019” list but to be honest, I never gave it a chance.
commentsI didn’t always “get” Jason Peirce’s Spiritualized or Spacemen 3 back in the 80’s and 90’s. It just seemed so last century!
commentsThe only problem with this record is that each of the 8 tracks, with an average length of just over 5 minutes, just aren’t long enough.
commentsI hate always playing it safe with music and this certainly takes me well out of my comfort zone. And this record which I’m listening to for the first time since picking it out of a bargain bin, does so in such a welcome and refreshing way.
commentsThis Boston three piece make quite the racket, albeit a beautiful one - and it’s all done on a two string slide bass, saxophone and drums.
commentsDon’t you dear judge me for listening to this! I grew hair on my bollocks listening to this record. Who doesn’t love Joe Walsh’s slide guitar on “Victim Of Love”?
commentsAnother sonic gem from Portland’s Ripley Johnson (Wooden Shjips) and Sanae Yamada. Some very tasty and oh-so-spacey guitar playing over hooky keyboards and some great drum work from John Jeffrey, elevate this to a thing of mesmeric beauty.
commentsThere’s not a lot of information out there about one Emerson Sandidge. He was born into a musical family in Gary, Indiana.
commentsViv Albertine (once guitarist with The Slits) is my new hero. I’ve just finished reading her brilliant autobiography. (This should be compulsory reading for every man on the planet!
commentsIt’s wet and cold outside this afternoon as this tribute to Welsh miners spins on my turntable. In contrast to the bleakness of the elements, it’s warm and cosy inside as the fire pushes out some serious heat.
commentsAlong with ACE Records , Soul Jazz Records out of Soho in London is my favorite record label for delivering stunning “new” music.
commentsThis relic from the very late 70’s is as infectious as Covid-19! At just under 40 minutes, there’s not one wasted note.
commentsThis is a short and sweet little collaboration between fellow Texan musical pre-Covid tourists. After gigging around a bit, they decided to hit the studio.
commentsGuitar-driven, wall-of-fuzz, melodic mayhem courtesy of Wooden Shjips front man Erik Ripley Johnson and non-affiliated keyboard player, Sanae Yamada. This records gives you a great big warm hypnotic hug.
commentsIt seems like Blancmange have been around for donks! I’ve been listening to these poppy knob twiddlers since the very early 80’s.
commentsAside from the brilliant and incomparable Lou Reed/David Bowie/Mick Ronson recording that is “Transformer” this is my favourite Lou Reed album.
commentsThe antithesis of “pop” this is as abrasive and challenging as it gets. There’s no hiding. The dog is currently nestled under my legs somewhat disturbed by the dissonance.
commentsThe themes were: 15 minutes of music recorded or released in 1966.
commentsThis arrived on sparkly new orange vinyl today. This 2020 remastered version is all the more remarkable in what it reveals in instrumentation.
commentsThis FANTASTIC remastered 2014 compilation on 3 great slabs of vinyl just sounds well…. FANTASTIC! These 11 tracks, all released as 12” remixes, were clearly made for the dance floors of the late 70’s, early 80’s, but really blur the links between Disco, Classical, Jazz and Dub.
commentsWhile the music can definitely stand-alone on this DVD, the film that accompanies the music on each track beautifully reinforces the historical components that the “found” sounds reference throughout.
commentsI’m half way through Viv Albertine’s very candid 2014 book “Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys” She was brought into The Slits as the guitar player who had never actually played guitar.
commentsThere’s absolutely no in-between with Ms. Newsom. You either love her or loathe her. Personally, I’m firmly in the love her unconditionally camp.
commentsAnother awesome Aussie album. This gets an AAAA+ in anyone’s book. Earlier this month I did a bit of a rave about The Stroppies “Whoosh!
commentsAllmusic.com, and their “know it all, yes we do have the final say on the matter” approach to music reviews is wearing thin.
commentsThe Smiths and New Order. Two of the most influential bands of the 80’s. This masterpiece is the bastard offspring of Bernard Sumner and Jonny Marr, two key members of those respective stalwarts of British post punk.
commentsOK it’s not a “proper” live album - it’s got studio recordings interspersed with the live stuff - but as a 17 year old totally immersed in guitar hero worship, this thing still stings the synapses.
commentsACE Records presents: Music From Jarvis Cocker’s Sunday Service. Just right for this dreary Sunday afternoon, it’s time to revisit this wonderful compilation from England’s greatest living national eccentric.
commentsIt’s obvious I’m not meant to be digging this band! First, their support slot with Tame Impala is now a non-event even if Mr.
commentsI happened to be viewing some YouTube video footage of Whakaari (White Island) just prior to, during and after the 2019 eruption, while listening to this record.
commentsCan’t sing, can’t play. Perfect. The Fair Brothers are from Uniontown in Maryland, USA. They formed Half Japanese in 1975.
commentsThis really could be Dunedin circa 1982. Despite an Australian twang as wide as The Tasman Ocean there’s a definite The Bats/The Clean jingly/jangly groove emanating these Melbournians.
commentsMore vinyl I’ve never listened to. It’s great to just buy stuff like in the old days when you only have reference to music choices courtesy of NME, Melody Maker, Sounds and local music rags like Rip It Up.
commentsIt’s hard to believe that this duo from Old Blighty’s Briton can make such a god forsaken racket. Playing just drums and bass, they could cause all sorts of inferiority complexes for many a larger ensemble.
commentsThe bottom end on this record is quite extraordinary. You do risk serious damage to your viscera and your speakers if you turn that knob too far.
commentsA voice like an angel and a band that plays like the devil incarnate! It’s a beautiful contrast - Elfin meets charging Mastodon.
commentsFriday night - it’s time to stay in and chill out not go out and chill down. This ain’t philosophical, it’s fact!
commentsThis FANTASTIC compilation is the 4th volume in the “A Monstrous Psychedelic Bubble (Exploding In Your Mind)” series compiled and mixed by The Amorphous Androgynous (aka The Future Sound Of London).
commentsBob Stanley & Pete Wiggs Present England, the day after the 60’s. This is the follow up to 2017’s wonderful “English Weather” and another fantastic compilation of English obscurities.
commentsI’d heard of The Bevis Frond but up until this evening I’d never “heard” The Bevis Frond. As I now have a tendency to do, I bought this on a spare-of-the-moment impulse at Smithies “Family Jewels” this evening.
commentsYou want to chill - this is the cat’s pajama’s of cool! It’s funny though it’s not music you need to engage with, it’s music just to savor and enjoy for what it is.
commentsAnother stunner from the Radiohead front man. I loved Radiohead’s last record, A Moon Shaped Pool, and it’s obvious that this is a hangover from those sessions.
commentsLeftfield disco classics from the New York Underground. This is another superb compilation of New York weirdness of the late 70’s to mid 80’s.
commentsI’ve had Afro-beat rhythms going on in my head all day since listening to this wee gem this morning. This record covers the period from 1973 to 1980.
commentsSucculent and syrupy, that’s Mr. Sylvian. This is a recently updated double vinyl version of his late 90s record which I picked up for $29 on sale at JB-Hifi.
commentsSometimes you just need a bit of cheerful, happy clappy positivity in your life. Things are all a bit grim at the moment.
commentsPut on as background music this afternoon while tidying the cave, I was also trying to convince myself that when compared with vinyl, CDs sound like shit.
commentsI was prepared to get very uncomfortable with this brand new compilation of “forgotten New Zealand electronic and avante music of the 1980s” released in late May this year.
commentsOne of the finds of my recent trip to Wellington was this amazing record. Very tastefully remastered, individually numbered and pressed on gold and black vinyl, it is physically, visually and sonically a thing of great beauty.
commentsI could listen to Kristin Hersh play the bongos while reciting “The Lord’s Prayer”. It would still be mesmerising. To me, she has one of the best and most distinctive voices of all the rock ‘n’ roll women.
commentsPoliça are a really difficult band* to try and explain or categorise. (* Poliça is really just singer/songwriter Channy Leaneagh and producer Ryan Olson from the larger and just as uncategorisable collective Gayngs).
commentsTo test my new computer/USB DAC/amplifier rig, I decided to play a high resolution computer audio file this evening. (A 24 bit/192kbps FLAC file to be precise).
commentsSoul Jazz Records Presents: Experimental German Rock and Electronic Musik 1972-1983 (Record A) Another absolutely FANTASTIC compilation from Soul Jazz Records.
commentsSoul Jazz Records New York Noise: Dance Music from the New York Underground 1977-1982 On several trips to London, I’d always make a point of visiting Sounds of the Universe at 7 Broadwick Street in Soho.
commentsThis year, as Jessie from the “Fast Show” would say, I have been mainly eating compilations. In a most cases this makes for more enjoyable and “active” listening sessions as opposed to just recycling old CDs or “safe” vinyl.
commentsI think my life is now complete! I now have this absolute peach of a record on beautifully remastered and totally rejuvenated pitch black vinyl.
commentsThis is another impeccable and VERY English compilation from Mr. Bob Stanley and ACE Records. Originally released some 15 years ago, this is an updated version and covers English potty post-pyschedelic music from the late 60’s to mid 70’s.
commentsI didn’t quite get this record on first listen but subsequently it’s now a thing of great beauty. This is despite sounding like it’s been taped directly off a transitor radio.
commentsThis morning I discovered a wonderful new podcast for the proper music nerd. It’s called “ The Album Years ” and is presented by one of my familiars - Steven Wilson and his close buddy Tim Bowness.
commentsI can just about tolerate going grocery shopping at Fresh Choice supermarket when they play some classy tunes over the PA system.
commentsAnother impulse buy from “Family Jewels”. I mainly bought this for the beautiful crystal clear coloured splattered vinyl but as a secondary bonus the music is a complete breath of fresh air.
commentsI’ve always wanted to re-get this on vinyl (I gave my first LP away in the early 2000s) and was seething with jealousy when fellow shut up and listener, brother Ricardo showed me his big blue.
commentsAside from a resurgence of vinyl in my world, I’m tending more and more towards playing music via a streaming service or off ripped files on network attached storage devices.
commentsSince coming out of lockdown, I’ve decided to take a few punts and purchase a bit of vinyl from my local “Family Jewels” record shop on the strength of reputation and Smithies recommendations.
commentsThis is another one of my big influential records I listened to as a bored, shy and self-absorbed 12 year old at my uncle’s house in Palmerston North.
commentsRIP Florian Schneider 01010010 01001001 01010000 00100000 01000110 01101100 01101111 01110010 01101001 01100001 01101110 00100000 01010011 01100011 01101000 01101110 01100101 01101001 01100100 01100101 01110010
commentsOK I concede. The only thing better than Porcupine Tree’s Deadwing on vinyl is Porcupine Tree’s Deadwing on Hi-Res DVD-Audio. Renown for his production and high resolution recordings, Steven Wilson does not hold back on this beauty.
commentsThis “Paradise” edition vinyl was made available in this format several years after the special edition was released on CD in 2012.
commentsI’ve taken a BIG gamble of late with the purchase of another big Bowie box which arrived at my door this very morning.
commentsIt’s NZ Music Month so it’s probably apt to play a few of my favourites over the next month. Now this is definitely not your typical 80’s New Zealand band.
commentsOK, I’ve never been a big fan of Old Cranky throughout his musical lifespan. With the exception of his early days with CSN&Y, “On The Beach” “Zuma” and “Arc-Weld”, I’ve mainly stayed clear of his guitar and song-writing histrionics.
commentsThis record seems to get a hell of a lot of hyper-praise. I’ve never really singled out albums in the Beatles catalogue to measure or compare against each other but in the case of this particular record, I really can’t see what all the fuss is about.
commentsI’m just listening to “Coffee Shop Blues” as I’m hearing this Tidal stream for the 2nd time today. Wouldn’t a proper cup of barista quality coffee and a cheese scone dripping in butter go down well!
commentsI really forgot I even had this in my record collection when I went hunting for something substantial today. And this remastered gem on Antarctic Ice Shelf-thick vinyl IS truly substantial.
commentsPhysical Graffiti remains one of my all time “most significant records”. I still remember buying this fucker! I couldn’t breath when I dropped that needle for the first time.
commentsThis record feels totally apt for these times. Bland, mechanical and repetitious. In the case of Kraftwerk - being robotic works very well.
commentsI’m actively re-assessing Bowie’s records since 1980’s “Scary Monsters”. I have openly stated my apparent unwillingness to accept there was still genius lurking past “Ashes To Ashes” This isn’t Covid-19 related cabin fever talking either, it’s a genuine regret that I’ve followed the sway of the critics rather than making up my own mind.
commentsThis is for me the best record of the late 70’s early 80’s. I know that’s quite a big call but time and time again it continues to befuddle, bemuse and bewitch me.
commentsThis is a lovely, hazy trip back to the late 60’s American West Coast except this band hails from 21st Century Denmark.
commentsYo La Tengo is not a band you play often. When you do, it’s an absolute revelation! No two listens are the same.
commentsWhile it’s hard to argue that this, their second record, is made of the same greatness that came before on “Blue Lines”, it just fails to rip my nightie this evening.
commentsThis has been my soundtrack to everything of late. No, you won’t have heard of Jonathan Hultén but you really should as this record is simply extraordinary!
commentsI don’t often bring out old misery guts but given the bleakness of the situation nothing seems more apt. For me The Smiths still rank up there as one of the best bands of the 80’s.
commentsBought this on a whim a while back. I had never listened to Microdisney prior to purchasing this, I’d just read glowing references.
commentsI’ve been sorting out my home office today as 25% of the population is probably doing. (To be honest, I’ve been busy helping others get sorted and really forgot about myself until today).
commentsThis album has been popping up on a few underrated records rants and references lately so I thought I better check it out.
commentsIt’s been full-on 12 hour plus days over a 13 day solid stretch as I rolled up my sleeves and gave all the techy stuff a kick up the pants.
commentsA monumental day today in Godzone as we all prepare to go into lock down. It might be time to trawl through your collection or even, God help us, explore some new music!
commentsWhile definitely sounding like it was made in the early 80’s (it was!) this record is testament to good songwriting, not quirky, clever production (which it also has).
commentsSuper-G’s very last record continues with the high-calibre, riff-heavy pop-rock they are renowned for. Over their six studio albums they have made consistently great and seemingly effortless records that without failure, completely kick arse.
commentsI’ve been really enjoying mix tapes and compilations over the last few years. The best collections tend to expose one to other artists, genres and sometimes entire worm holes for further investigation.
commentsJust above the bar code on the back of this new slab of vinyl by Lyttelton’s Nadia Reid it proudly proclaims “Made in New Zealand” in a nice bold font.
commentsI took a big punt on this one during my weekly Warehouse bin trawl. Dropping from $49 to $29 and a couple of well known tracks, including the anthemic “Renagade Fighter”, convinced me to part with my cash.
commentsLovely late-80’s album from Tokoroa-Born Australian citizen, Jennifer Patricia Morris. While it’s got a definite 80’s production vibe, all of songs stand up really well.
commentsHaving spent the last month totally immersed in everything Stereolab, I was hoping that this newly re-formed groop, down in this neck of the woods, would at least meet expectations.
commentsYou know what, I’m getting sick of the same old same old. Three albums in and on the fantastic “Currents” Kevin Parker was getting flogged by the sky’s falling brigade for adding squelchy keyboards and turning his back on his guitar fuelled hazy psych.
commentsJust a couple of albums to go on my Anglo-French band adventures over the last month. They play live on Tuesday night next week!
commentsIf you think my time listening to Stereolab is fully exhausted, then think again. This compilation from 1998 is a real cracker.
commentsThere’s more tambourine playing by Laetitia Sadier than actual singing on this record. Apparently she was sick and didn’t get much studio time so the band just played on.
commentsAn end-of-century pre-millennial masterpiece. Letitia Sadier and Mary Hanson are on their best collaborative form, harmonising/counter-harmonising beautifully. The horns introduced in Dots and Loops are more prevalent throughout on this record and there’s a few avant guarde moments in the mix as well.
commentsWhile I’ve replaced ALL of my Stereolab CDs over the last 12 months with astoundingly well remastered and plump-with-music, vinyl editions, I won’t be getting rid of this rare 3CD/1DVD compilation anytime soon.
commentsThis really early collection of singles and EPs that were recorded prior to their first album Peng! shows just how far they haven’t come.
commentsThis album, their fourth, may have been my very first exposure to the Stereolab collective back in the late 90’s. Many a CD was thrust into my mitts, including this one, as I ventured into Everyman Records.
commentsI always wanted to listen to this record this evening. It’s not quite reverse chronologically but fuck it! I make up and change the rules as I go.
commentsAnother brilliant collection, like yesterday’s compilation, of extraordinary and ageless AOR music. Most of the time I like to feel the grime and hear the dirge.
commentsYou can thank not taking the time to properly programme stations on the car radio and the holiday break for my two latest indiscretions.
commentsLiterally just out of Kindy, these Oxford youngsters thrust themselves into mid-90’s Brit-Pop obsessed England. This debut is surprisingly competent for such tiny tots and remains a highly listenable and classic pop record.
commentsThere’s no getting away from it - Pink Floyd’s “The Wall” is quite good. It’s certainly the Waters and Gilmour show with some killer songs amongst the more operatic/filler stuff.
commentsJust a great big slab of shit-kicking R&B on double teal vinyl to upset the neighbours and add an edge to the Friday night “no work tomorrow” alcohol fueled exhortations.
commentsThis is a brilliant collaboration between Kid Cudi and Kanye West. While it’s only an 20 minute EP, it does one hell of a lot during those 1200 seconds.
commentsThe themes were: _New! , A piece of music you played on New Years Eve (or would have wanted to play if you could choose the music being played), A piece of music that reflects one of your resolutions or goals for the new year _
commentsWhat a fantastic way to start the weekend! It’s sunny, I don’t have to go to work, and I have time to relax without any demands.
commentsThis astounding surround-sounding compilation is the cats pajamas for XTC completists. This mid-80’s recording found the Swindon band reinventing themselves while parodying the psychedelic 60’s and in the process bettering 95% of the bands of that time.
commentsWith the recent demise of Neil Innes , just prior to the turn of the new decade, the world lost a true comedic and musical genius.
commentsThis greatest hits (volume one) is a non-stop riff fest - I’m not kidding. This record is unrelentless and all of the songs are super extended versions.
commentsThis truly remarkable mid-80’s release plays out like a Beatles record. Wall to wall “how can anybody write such amazing songs”.
commentsA bit of a delve back into that strange transitional, and often awkward mid-eighties where you find these London knob twiddlers in their prime.
commentsBeautiful, ethereal music for a busy old back-at-work Wednesday. Just the ticket when you want some escape into the recesses of your own head space.
commentsStunning new film of The Cure playing live in 2018. As well as being stunning visually, the Cures have never sounded better.
commentsStereolab never cease to amaze and surprise. I’ve been trawling through their back catalogue in anticipation of their Wellington event in March.
commentsIt’s “Bay’s Dreams” weekend here in Nelson and things are really kicking off! Less than 300 metres away from our home in The Wood, it’s FANTASTIC to have such a great summer event literally on our backdoor step.
commentsThis record was a complete impulse buy whilst trawling the JB-Hifi bins in Wellington. I heard mention of Torres via the “Sound Opinions” podcast a while back where she was highly revered by Greg Kot.
commentsWowee, we’ve got a right one here! It’s the perfect way to see in the new year. Bereft of any English, this collaboration with South African artist Muzi, is mostly sung in Welsh, with a bit of Zulu thrown in.
comments