Princess Chelsea - Lil's Golden Book (2011)
At this time of year who wants to overthink the previous 12 months? For most of us it’s been a proper, global annus horribilis.
commentsAt this time of year who wants to overthink the previous 12 months? For most of us it’s been a proper, global annus horribilis.
commentsSplendid, hippy dippy masterpiece that sounds both completely messed up and singularly focused all at the same time. It’s a mishmash of styles of the time but totally expected when you consider the roll call of participants.
commentsA very ethereal record from Beach House. Sounding like its big fluffy red cover (I kid you not) this recording is enclosed in a murky haze that keeps the poppy sugar coating that’s trying its hardest to bust out under wraps.
commentsI’m really not sure what attracted me to this, aside from the beautiful cover, but what a fantastic find. Like a few days lately, I’ve been finding a few unfamiliar tracks and albums via streaming services.
commentsOne of my pet peeves when buying records is the absence of plastic inner sleeves. Most of the paper inserts, glossy or otherwise, that come with the majority of new records these days, are as good as useless.
commentsOne of the greatest finds of this year is this killer record from San Fran’s totally unhinged Thee Oh Sees. Impossible to categorise, to me they fit somewhere between King Gizard and the Wizard Lizard and The Bevis Frond.
commentsAnother great bit of vinyl that’s found it’s way back home. This 1985 Aussie pressing, which I’d given away in the early 00’s and kindly returned, still sounds remarkably pristine.
commentsCo-written with Reeves Gabrels, this is Bowie’s most mellow record since “Hunky Dory”. It still rocks out in places though, especially with Mr.
commentsThe stunning sonics of this newly pressed vinyl box continues. It’s certainly a box of goodies that just keeps giving. This is another record which I’ve only listened to in parts (“Little Wonder” & “I’m afraid Of Americans”) and most probably not in its entirety in one sitting.
commentsThe themes were: 15 minutes of music,(recorded or released in) the year 1969.
commentsFor many, this could be their introduction to David Bowie. For me, I had already kicked him into touch a decade and a half earlier following “Let’s Dance”.
commentsTo be honest, this is an album I never really knew existed. Made after “Black Tie White Noise” and around the time of “Outside” to soundtrack a British TV series, it never appeared on my radar at all.
commentsMy life is complete (again!). Having loudly proclaimed this fact already this week when I recieved Volume 2 of the fabulous “Deutsche Elektronische Musik”, things got even better today.
commentsMy life is now complete (well nearly, I just need to take delivery of the latest MASSIVE Bowie box which I also picked up for a steal - but I’ll save that particular story for later).
commentsJackie Mittoo is the coolest man that ever lived. That’s according to The Guardian. I’m not arguing one iota, this Kingston born keyboard wiz is the cats pyjamas.
commentsSwitched On Volume 2 Unbelievable 2nd volume of early singles and rarities from The Labs. Remastered on 4 sides of clear vinyl.
commentsThis mid-70’s gem from Sweden’s own/only guitar-swinger Janne Schaffer, has finally come back home to me. I thank you Martin. Having given 100’s of records away at the turn of the century, I do have ongoing regrets about it.
commentsThe themes were: (Predominantly) acoustic/unplugged., Instrumental., Whatever.
commentsI’m really not sure about this. Low going all electronic noize with hyper-processed/distorted vocals just hasn’t got me feeling the love.
commentsAfter gifting my old turntable to my daughter Imogen and partner Tim in Wellington, they have now been plunged into the world of pain that is collecting and listening to vinyl.
commentsThis is a CD I have always been very reluctant (aka being really frightened) to play. I mean Ray Haliburton’s Allmusic User Review from 2015 proclaims “…if you’re looking for music that is truly horrifying, visceral, epic and absorbing, step right up.
commentsAnother fabulous compilation from French couple, Marie and Lionel Liminana (with a bit of help from a myriad of others).This is their second collection in two years.
commentsBrilliant remix/dubbed up version of Liam Bailey’s “Ekundayo” album - which I listened to just the other day. Every day I ask the question, “where has all of this wonderful music been all of my life”.
commentsHamilton-born, Kimbra Johnson is really hard to categorise. There’s simply no doubt about it though, she’s one hell of a talent.
commentsAnother deep dive into a rabbit hole for me of late as I take several forays into the world of Jamaican-influenced music.
commentsThis Danish band is just extraordinary. Their record, 2005’s “And the Glass Handed Kites” is an epic masterpiece that demands at least a yearly, uninterrupted aural immersion.
commentsSoul Records Presents: Afro-Centric Visions In The Age Of Black Power. Underground Jazz, Street Funk & The Roots Of Rap (1968-79) I bought a book.
commentsThis slightly warped EP (literally and figuratively - physically, its a bit on the bendy side) from Texans “The Black Angels” sounds like it really shouldn’t work at all and at times it’s just way off being pleasant.
commentsAn Organ Grindin’ Funky Good Time soundtrack from 1969’s “Party Girls” a long lost (probably for the best) low budget sleaze fest.
commentsI LOVED La Luz’s last record, 2018’s “Floating Features”, but while pleasant enough, this new album has upped the production levels and sanded off those rough edges I loved on the previous one.
commentsProgressive folk at its finest. Don’t expect any real song structure, just one long, meandering, multilayered, highly complex, electro-acoustic folk jam.
commentsFabulous debut record from South London’s Dry Cleaning. It’s the first time heard tonight, on recommendation from Mr. Smithies. It’s an immediate slam dunk.
commentsAnother remarkable, genre non-specific, masterwork from the mysterious UK collective that is Sault. After 99 days following it’s release (June 2021) this record has already been pulled from streaming services completely and will never see a re-pressing.
commentsTake a bit of Dick Dale, a good chunk of Stereolab and a smidgeon of Nana Mouskouri, shake it all up, remove the men folk, and you have the sensational lady group La Luz.
commentsThis record (especially the track “Not Many”) was a bit of a soundtrack for my teenagers. It also resonated strongly with me at the time.
commentsThe themes were: Animal, Vegetable, Mineral
commentsMy full and ongoing membership of “Shut Up And Listen” depended on the success of my audition and my overly strategic song management.
commentsI remember hearing this for the first time, as a young nursing student, at a friend’s place in Levin. He was a practitioner of Bahai Faith.
commentsThis beautiful album follows the magnificent “Souvlaki”, a record that Brian Eno provided keyboards and treatments. While the Eno ambience wasn’t obvious on that, it’s right to the fore on this.
commentsIt’s really hard to believe that this wonderful record was made the year I started working in my current (and hopefully last) job.
commentsIt’s time to get my boys out again. This compilation from the early 70’s is probably one of my holy grails as far as musical discovery goes.
commentsWOW! I just love this Melbourne duo. This is just beautiful and comes close to trumping my previous experience when first discovering this Aussie treasure.
comments[7’ and rare stuff 2009/2014] I’ve been putting off listening to this virgin vinyl. I was really worried about being disappointed.
commentsThis is the headline: “THREE YEARS OF BIN WATCHING AT JB-HIFI IN LOWER HUTT FINALLY PAYS OFF” I had an absolutely brilliant haul of less-costly-than-second-hand, new records from the bins at the yellow and black shed.
commentsMore magnificence from the LA-based band, Lord Huron. With a country-infused soundstage as big the lake they were named after, one of the big five by the way, it’s all very lush and cinematic.
commentsHoly shit! What a FANTASTIC record! I didn’t realise what an absolute stonker this is. I listened to a great podcast this morning while hiking back from Tahunanui Beach, wife and dog in tow.
commentsA fabulous, lady-led band from the century’s turn who sound like they shared a dressing room with the Slits and The Fall.
commentsAn absolute gem of a record found on my recent excursion up North. Discovered second hand at “Low Cost Records” in Petone, this record was always one of my favourites.
commentsI’ve had a bit of a revelation today after a great Shut Up And Listen Session the evening before. Streaming stuff instead of relying on physical media is perfectly OK.
commentsThe theme: Less Is More - three tracks celebrating minimalism (with the usual expectation of creative interpretation, misinterpretation or contradiction, of course)
commentsThis is an exquisite, sumptuous recent discovery courtesy of the wonderful Youtube hosted by Michael the German. Michael, who is a truly engaging German man with the most incredible vinyl collection, regularly shares his insights into the best, and often but not always, audiophile vinyl pressings.
commentsIs this album one of those genre-less wonders or an amalgam of everything put through a musical mincer? I really can’t make up my mind.
commentsSecond album from German band “Kin Ping Meh” (Chinese for “The Golden Lotus”) There’s a definite “The Yes Album” feel to early proceedings with more than a few weird meanderings along the way.
commentsBought this Friday. Played it Friday night. Didn’t love it. Played safto. Am goowin wi mi-sen and fookin’ lovin’ it! (Ok they’re from Nottingham)
commentsAnother absolute STUNNER which flew completely under the radar. This debut record from French duo The Limiñanas, is one of the biggest musical surprises I have EVER encountered!
commentsA big riffy, completely off-kilter, stoner rock record that sounds as big as Texas. That’s funny, coz these dudes hail from Fort Worth, Texas.
commentsAwesome B-Sides collection on spectacular “honey” coloured vinyl. Just fantastic to have this. One of my favourite songs of all time on one of my favourite albums of all time, is the wonderful “Not Too Soon”, sung by Tanya Donelly on “The Real Ramona”.
commentsI really needed a vinyl fix today. It’s been a few weeks since I’ve done any digging. I rang the Smithies hotline (Facebook Messenger actually) and arranged to meet.
commentsStonkingly brilliant, early-80s, post-punk funk (without the horns) courtesy of the Scroggin Sisters from the Bronx, NY, NY. This is just crazy good.
commentsOne of my finds of the year, I knew absolutely nothing about HTRK (Hate Rock) or this record, prior to my recent travels to Melbourne.
commentsRIP Charles Robert Watts An easy choice today. I bought this quite a few years ago when I started collecting “essential” vinyl once again.
commentsThis band is from Detroit. These men are not happy. Front man Joe Casey, led by an incendiary band, sings/talks his way through 12 astounding tracks.
commentsAnother terrific record, their forth, in a faultless catalogue of neo-70’s rock/prog. While they certainly know how to jam, they never overstay their welcome.
commentsIn recognition of brilliant Kiwi musicians I’m celebrating with some Wellington heavy weights today. Let’s face it - we need to go to all of those touring NZ artists touring at the moment - for their and for our own sakes.
commentsThese hairy MFs from Ames, Iowa really know how to kick the barn doors down! While it hints at stoner rock at times, it’s more in the flavour of the heavy side of 70’s electric blues.
commentsAmazing, other/outer worldly and essential. Now this really IS a wall of sound. While it can be smothering - it’s a hazy, cuddly experience that wraps you up in a big, psyschedlic blanket.
commentsA bit of a “High Fidelity” moment last Friday evening as I strolled into The Family Jewels. Side two of this was playing on the shop and outside tannoys.
commentsTickets booked, I’d better have a listen. This is Troy Kingi’s “folk” record with Delaney Davidson, the proper folkie, lending a steady hand.
commentsMore of a DIY brag this evening. To breath new life into your record collection give them a bath! This version of “It’s My Life” got the treatment today and boy does it make a difference.
commentsFANTASTIC new record by Chief Superior Furry Animal. The SFAs know how to create bona fide pop music alright, but this just takes it up a notch or two.
commentsFantastic documentary about the making of “Rainbow Bridge”, a complete Blu-Ray concert recording and 6 sides of Vinyl capturing Jimi Hendrix’s concert at Maui, Hawaii in 1970.
commentsThere was only going to be one album to listen to this evening. After yesterday’s fabulous Alan Vega and Stephen Lironi show, it’s time for some Pete Shelley and Howard Devoto.
commentsHoly Moly, I didn’t expect this! It’s the same old Alan Vega and his same old completely left of everything approach to making music - but god it sounds so frighteningly refreshing listening to this today.
commentsThe themes were: 15 from 68.
commentsThe wall of sound on a Spiritualized record is always a bit disconcerting at first but it’s the silence within all of that murk that captures your ears.
commentsInsanely good live performance of Darkside’s brilliant 2013 album “Psychic”, a mind warping, non-genre specific monster of a record. Watching this reminds me of the time that I walked into one my all time, smily face moments of pure musical bliss - Unkle playing live in the “Boiler Room” at The Big Day Out.
commentsAnother taste of the Axelrod. Where has this been all of my life??
commentsProlific as ever, this is the Gizzard’s 18th record. This is just the sweetest, most blissed out sound I’ve heard all year.
commentsPicked this fine compilaton up from my second favourite Melbourne record shop, Rocksteady Records in Lonsdale St, CBD. Just $33 Aussie dollars for a 2 LP white vinyl record is exceptional value.
commentsA wonderful new discovery for me, often mentioned fleetingly in the distant past by mega-fan Nathan Ford, I’d never delved into this rabbit hole until now.
commentsMy Melbournian pal, Maurice, who I caught up with in person recently, has been raving about this record ad nauseam. To tone down his incessant admiration somewhat, I thought I’d better buy it on CD.
commentsThis is the ultimate fairy tale album. Peter Perret is probably lucky to be still on the planet yet alone in absolutely top form on this recording.
commentsAnother fantastic find in Melbourne was arguably Lou Reed’s best ever (official) live record “Live In Italy” which was recorded in 1983.
commentsI was thrilled to get a copy of this very limited Record Store Day release on 10" clear vinyl. It took Alan Vega and Martin Rev, the core of Suicide, more than 30 years to get the recognition they deserved.
commentsCompletely wacko but totally enjoyable forth solo record from co-founder of krautrock band Can. Aside from the first song, “The Photo Song”, (definitely a false start as the “poppiest” song on the album), it’s an unconventional and wild ride across the remaining 10 tracks.
commentsOne real blessing of spending an extra week in Melbourne, following a 7 day Covid-19 Aussie/NZ travel bubble pause, was spending some quality time trawling the records shops in Melbourne City and Brunswick/Smiths Street in Collingwood.
commentsWhat a mish mash of a record! And that’s high praise indeed. The width and depth of this covid lockdown production by these obviously bored and highly prolific Australians is quite remarkable.
commentsFantastic double (black) vinyl re-working of Jane Weaver’s 2014 record “The Silver Globe” and 2017’s “Modern Kosmology”. All I can say is my recently purchased Rega MM Fono stage now connected to my upstairs Project Debut and NAD amp is absolutely kicking some serious sonic arse.
commentsKnown as “The English Beat” in North America to allay any clash and confusion with the American “The Beat”, these dudes were right in the thick of things with other budding SKA bands of the time.
commentsI finally managed to pick up all four albums by this extraordinary English collective knowh as “Sault”. This is their first record and if the others are even close to this, (and apparently they get even better with each subsequent release) my ears are in for a real treat.
commentsThe themes were: Sun, Sea and Surf , Storm and Pestilence , Harvest, Leaves Falling
commentsAnother mind-blowingly, guitar-rich, floaty, hazy wig out! Stereo Gum - Review
commentsAnother stonking Tull release that got panned at the time. A first time listen for me but a rockier effort following their folk period “Songs From The Wood”, “Heavy Horses” and “Storm Watch”.
commentsAnother beautiful double album picked up over Queens Birthday weekend. This features orchestral treatments of Moby songs (there’s also a lovely reinterpretation of one of my least favorite Bowie songs “Heroes” which I can fully tolerate and appreciate one this).
commentsGazza just goes from strength to strength. Honestly, I kind of reluctantly bought this new record thinking it’s going to be somewhat disappointing after his astonishing 2017 release “Savage”.
commentsTwo albums after Peter Gabriel left and the last record to feature guitarist Steve Hackett. To these ears, this is the last great classic(al) Genesis record.
commentsGreat random choice this evening as I let my music database choose my music for me. I always warm to a bit of Death Cab for Cutie.
commentsThis is a Tull record that was never “in the circle” of their great predecessors - namely “Aqualung”, “Thick As A Brick” and “A Passion Play”, and I missed it completely.
commentsSquid, Black Country New Road and this band, Black Midi are all great contemporary British bands flying the flag for jazzy, spacey, progressive math rock.
commentsThis is even more brittle and unearthly than last night’s delve into the (other)world of My Bloody Valentine. There really isn’t any other music to compare it to.
commentsAs well as this record being unlike anything before or after it, it’s one of the quietest “loud” records you will ever hear.
commentsThis is the soundtrack to a horror film that doesn’t exist. Thank God it doesn’t - it would be the scariest thing you ever saw.
commentsI was really pleased recently to find a re-pressed, USA made copy of this early Blonde Redhead record. This is definitely a band worthy of owning everything they did on vinyl.
commentsGazza has always been an outlier/outsider. Diagnosed with Asperger’s his imagination and creativity has actually got the better of him. He’s been more prolific than ever and his latest record “Intruder” is up there’s with his best.
commentsThe themes were: You’ve got 15 minutes to fill using CD, DVD, YouTube, or any combination thereof.
commentsGave this a whirl this evening as I cooked. A bit indifferent for the first couple of tracks but then it all clicked.
commentsHighly regarded as one of the treasures of the psychedelic 60s this is not really doing it for me at the moment.
commentsThis fantastic compilation of Auckland punk, circa 1979(ish), is a treat for NZ music historians and rock’n’roll lovers. There’s early iterations of bands that went on to greater fame, and much higher production standards, but their brilliance is well in evidence.
commentsMojo Presents A Tribute To The Cure. There’s no doubt about it, the Cure wrote a ton of brilliant songs, this Mojo Magazine compilation proves it.
commentsThis band is renowned for being the loudest band that ever existed. While my stereo can’t do it justice, extreme volume would let these seven humongous tracks breath/bleed accordingly.
commentsAffectionately known as the “Countdown Album” (let’s face it, it flows off the tongue a lot easier than “10, 9, 8, 7, 6, 5, 4, 3, 2, 1”), this absolute stonker from the Oils is one of the great records of the 80s.
commentsA remarkably restrained Damo Suzuki “sings” on what would be his final studio recording with this truly amazing German collective. (He went off and married a Jehovah witness apparently).
commentsAnother great great record that proves there’s still great great music being made in the world. Highly original, disorientating and unapologetic, it’s a bit of a rollercoaster.
commentsThese astounding recordings from 1968/1969 is empirical proof that these Germans were just so far ahead of the game. The Stooges, who are often regarded as the granddaddy’s of punk didn’t record their debut until 1969.
commentsNever listen to this record. It will change your life. Quite extraordinary and unlike anything you have or will ever hear in you lifetime.
commentsTim Burgess & Bob Stanley Present Songs For A Late-Night Diner. This very quirky compilation “is a soundtrack for a mythical café in the mythical north” somewhere in England.
commentsThis record, the first in a trilogy of great Jane Weaver albums, is a real treat. The vocals are as ethereal and fabulous as the noodlely electronics and keyboard embellishments that cocoon each track.
commentsExcluding the Velvet Underground years, Transformer, Rock’n’roll Animal, Lou Reed Live, The Blue Mask, Legendary Hearts, Songs For Drella (with John Cale) and Magic And Loss were always my go to Lou Reed records.
commentsI heard reference to this wonderful record on Radio National today. The cover for Revolver was created by German-born bassist and artist Klaus Voormann , whose birthday it was today.
commentsThis record was released in 1970 and was named Rolling Stone’s album of the year ahead of Let It Be by The Beatles, Morrison Hotel by The Doors, After the Gold Rush by Neil Young, Moondance by Van Morrison, Bridge Over Troubled Water by Simon and Garfunkel, Pink Floyd’s Atom Heart Mother and Led Zeppelin III.
commentsBefore my tastes became a little more eclectic and sophisticated, I was an Elton John obsessive. This holds some fantastic memories and remains a cracking good record.
commentsFloating Points, Pharoah Sanders & The London Symphony Orchestra A record (in this case an album streaming from Tidal) that demands nothing.
commentsThe themes were: Something fine, finessed, fragile or sofisticated, Something foreign, far-fetched, far out or unfamiliar, Something flamboyant, flashy, flaunting or florid
commentsSome of this reminds me a bit of Herbie Hancock and the robotic dancing legs of “Rockit. There’s some serious funky jazz going on here.
commentsIf you really want to kickstart your Krautrock adventures with smoking wheels there’s simply is no better place to start. This is a guitar-driven, all balls out, Meisterstück that is worthy of all accolades.
commentsWhile a truly miserable record and definitely of its time, this relic of the early 80’s is the antithesis of much of todays formulaic garbage.
commentsThis is the first Luna release in quite some years. (well 13 years if you want to be more precise). Kiwi Dean Wareham’s droll deliver is just perfect as I prepare our “Hello Fresh” construction this evening.
commentsThis sprawling, hooks-heavy third release from the Haim sisters is also sonically magnificent. As with the first two vinyl releases it’s mastered at 45rpm.
commentsBrett Anderson’s voice is the main instrument I crave for when listening to any Suede record and this is especially the case with his more mellow solo records.
commentsThis raunchy grungy even, country-punk recording from the early 90s contains not one but two future Calexico members, Joey Burns and John Convertino.
commentsThis record is both epic in title and epic in the magnitude of its musical journey. It all starts off with a bit of a whimper but quickly imposes itself as the dense wall of sound engulfs everything.
commentsAnother great Easter Weekend purchase while over in the windy city. This is Porridge Radio’s second record and their first “proper” big label release.
commentsOne of several vinyl purchases picked up over Easter Weekend in Wellington was this little gem from New York duo Merrill Garbus and Nate Brenner.
commentsI’m listening to part one of Big Boi and Andre 3000’s split-duties-opus “Speakerboxxx/The Love Below” this evening - and loving every minute of it.
commentsHoly fuck this is wonderfully intense. If you can’t handle relentless wall-to-wall jamming look elsewhere. If you’re in the mood for mind expansion and turning your brain to mush, you’ve come to the right place.
commentsThis re-release from 2006 is an astonishing hidden-from-me NZ gem that in my universe-wide musical horizon flew completely under my exceptionally big reflecting telescope.
commentsThis is another example of not being risk adverse when choosing new music. This is just brilliant and being brave has given me the biggest buzz in donks.
commentsMaynard James Keenan hit the ground running with his band Tool. This and subsequent records completely shocked the world of metal, grunge and alternative rock.
commentsThis pre-Covid, end-of-September 2019 event could really have done with a shake up. The world has changed since this, and in musical terms, decades earlier.
commentsGreat live recording of Jason Pierce’s early post Spacemen 3 collective. While it gets off to an unexpectedly noisy start with a barrage of crackles and pops all over the first track, (sometimes I really hate vinyl), but this is soon forgotten as it mainlines itself into my brain.
commentsDon’t you just hate it (for those that bow to the inconvenience of vinyl) when the label on side one is different to side two and there’s no discernable way of knowing which is side A or side B.
commentsThe themes were: Your watershed year - This is the year which you consider represents the biggest shift in your musical adventures and one that has had the most influence on why you like what you like., A recent discovery which you think reflects those earlier influences.
commentsAnother fabulous compilation from Soul Jazz Records. (Along with ACE records, Soul Jazz does the best compilations). This collection of largely unknown knob twiddlers and music anarchists truly reflect the vide that existed in the late 70’s and early 80’s.
commentsThere’s still a lot of life left in ye old compact disc. This album is the epitome of digital geek where studio trickery and massive production nearly trumps the incredible songwriting.
commentsThis wasn’t the starting place for me, that was 1981’s “Tin Drum”, but retrospectively the hint of Japan’s sophistication emerges on this transitional record.
commentsIt’s 40 years since Japan released their 1981 masterpiece “Tin Drum”. Along with Kraftwerk, Echo & The Bunnymen and Magazine, it was a watershed moment for me.
commentsI had a bit of a sneaky listen last night to the re-released, remastered proper version of “Stories From The City, Stories From The Sea”.
commentsI’ve never really been a John Lennon fan. The purchase of this record and subsequent listening experience came about purely by chance.
commentsWhile missing some of the confrontational intensity of “London Zoo” this brilliant slab of blue vinyl continues to shatter expectations on this very first listen.
commentsI LOVE this! While it’s really Richard H. Kirk’s baby now, Stephen Mallinder now long departed, this really truly sounds likes a new Cabs record.
commentsThis is the perfect Friday night leave-your-brain-behind music fodder. It’s 22 years plus, and around the time of this record, since I gathered at The Gathering at Kanaan Downs in Golden Bay.
commentsRyley Walker joins forces with Kikagaku Moyo to venture into (equally unpronounceable) Khruangbin’s blissed-out Asian psyche-blues territory. Recorded live at Le Guess Who?
commentsThe themes were: 15 minutes of music from 1967
commentsThis LP was literally thrust into my hands the other day with the messaage “This will be right up your street”.
commentsHoly shit this is one intense slab of vinyl that does not relent over its 6 sides. The complete antithesis and double-handed middle finger to rock’s bloated carcass, this is a welcome challenge that rips musical convention to shreds.
commentsFollowing on from my rave about Mr. Steven Wilson’s wrath from passionate fans of a very specific genre of musical stasis, this band will certainly not disappoint them and might even appease more than a few of the old fickle Porcupine Tree proggers.
commentsWhile I continue to lap up everything Mr. Wilson does, he could fart the Lord’s Prayer and I’d still be consuming his product, it’s very hard to find Steven Wilson product in this country.
commentsThe Aussies seem to have the Psychedelic-Progressive-Space-Metal market completely cornered. Sounding in places like a very early Yes record, especially on the first 10 minute opener, it quickly morphs into a wonderful collage of hypnotic fuzzy bliss.
commentsThis is Steve Mason’s third album since leaving one of Scotland’s finest turn-of-this-century musical ensembles, The Beta Band. He simply carries on where he left off with the same brilliant toe tappingly good, ultra-melodious allegories.
commentsOne of my favourite British series ever is “ People Just Do Nothing ” This is a mockumentary series about a group of failed MCs from West London and their passion for pirate radio.
commentsThis record is the perfect musical accompaniment to a lovely warm and sunny summer evening. While it’s all just a bit too immaculate for anyone’s liking if you dig too deep, but as a listening experience it is pure ear candy.
commentsThe themes were: Ordinary, Arty Farty, Witty
commentsI heard the last 15 minutes of Smithies on RNZ this afternoon. He was raving about this Swedish ensemble’s first long player (or digital equivalent) “Off The Meds” by Off The Meds.
commentsThis is without question Thin Lizzy’s high water mark. This is without question one of my top 10 favourite records of all time.
commentsOMG! Along with Idles, this is a brilliant modern day punk record. No further comment necessary. Allmusic.com - Review
commentsThis couldn’t be further along the other end of the continuum than yesterday’s outing with Analogue Africa. It’s probably as close to Ambient as I want to get but has an underlying grime to proceedings.
commentsI was prompted to play this after a mention of the first volume from Analogue Africa yesterday on Radio NZ Music 101.
commentsThis triple album is part of the fan(tastic) re-release campaign undertaken by Stereolab over the last couple of years. It’s hard to believe that this extras record (sides 5 & 6) contains mainly demos or tracks not used on main release albums.
commentsThe Babelsberg Basement Tapes. This Record Store Day is the “raw” version of his wonderful apocalyptic 2018 album “Babelsberg”. Despite being a tirade on Trumpian America the wonderful song writing is never at the expense of the message.
commentsI really struggle with New Order these days. Despite this, I can still play Joy Division to death. For me they just haven’t aged well.
commentsThis is Broadcast stripped down both in sound and personnel. Originally from Birmingham, Broadcast started out as a quintet for their first couple of records.
commentsBob Stanley and Jason Wood present new adventures in European music 1972-1980 Another fantastic ACE compilation this time focusing on an imaginary soundtrack to Bowie and Iggy’s Berlin hangout, Cafe Exil, in the mid-70s.
commentsRecorded live at the Pyramid and Meow Clubs in Wellington during December 2014. Channeling ancient future funk from the IS! Warping spatioelastoplasticity with sound!
commentsThis universally panned solo record by the Dexy’s Midnight Runner front man is an absolute treasure. The controversial cover probably didn’t help matters but it’s clear the critics weren’t actually listening.
commentsThe Avalanches “Since I Left You” from 2000 and DJ Shadow’s “Endtroducing” from 1996 are two astounding records produced exclusively from other peoples vocal and musical samples.
commentsI can’t imagine Trump knowing what music is yet alone having a favourites playlist. If for some reason he did have a slither of musical cognisance the soundtrack of his life over over the last 5 years would be “Send Out The Clowns” on continuous play.
comments7 years to the day, I played this CD. According to my notes “it was a real surprise”. Unsurprisingly, they remain even more surprising.
commentsJust 12 months after the demise of Ian Curtis and Joy Division, New Order (initially “The People’s New Order of Kampuchea”) produced this transitional record to very mixed reviews.
commentsAndrew Spraggon was once a solo knob twiddler. He was also once a touring member of Dimmer (as revealed on a recent RNZ Music 101 podcast) He’s now the ultimate collaborator.
commentsThis is totally apt to bring in the new year. Released 20 years ago, this is an album of beautiful ambient soundscapes and textures that’s completely sabotaged and ambushed by the alternative, indie world protagonists.
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