Bee Gees - 1st (1967)
For some light summer reading, I’m currently plowing through Jeff Apter’s biography of The Bee Gees, “Tragedy: The Sad Ballad of The Gibb Brothers”.
commentsFor some light summer reading, I’m currently plowing through Jeff Apter’s biography of The Bee Gees, “Tragedy: The Sad Ballad of The Gibb Brothers”.
commentsBrother Angus’s stoner, melancholic alter ego, Dope Lemon was my introduction to half of this Aussie duo at least. Adding sister Julia to the equation on 2014’s self-titled “Angus & Julia Stone” pushed the mellow, chilled-out, easy going even further.
commentsAfter the highlight of last night’s Neneh Cherry and Youssou N’Dour collaboration on “7 seconds”, this whole album is another match made in heaven.
commentsA bit of Neneh this evening was warranted following an earlier full on, engulfed-by-music moment while driving back into Nelson this afternoon.
commentsOne of my favourite first songs on any record in my collection is Luna’s “Chinatown” from their album Penthouse. This new record from legendary* Kiwi Muscian Dean Wareham, reignites that moment.
commentsAnother selection from my penny each, CD haul from the Red Cross shop. There’s almost nothing much on the interweb about this Melbourne-based band or this recording.
commentsOn paper, I should probably hate this band. Instead, and despite their electronic, dance-focused, clubiness I fully imbrace all they have done.
commentsWhile the influences on this, Vanishing Twin’s first record are clear, it’s nearly impossible to categorise. Dream-pop weirdness interweaves with more grounded song structures and several songs clearly fit into the Stereolab and Broadcast camp.
commentsThis beautifully presented box set from New York funky punk pioneers Bush Tetras, is a fabulous compilation of their best moments accross 6 sides of vinyl.
commentsAfter NZ’s post-punk band The Mint Chicks broke up, guitarist Ruban Nielson formed genre-fluid combo Unknown Mortal Orchestra with his brother and ex Mint Chicks frontman Cody.
commentsI’m not a great Cat Stevens fan but couldn’t resist buying this 2CD, 50th Anniversay edition of his best? (selling) album rather cheaply at Rotorua’s “Q Records”.
commentsThis amazing recording has been haunting my dreams lately (as well as causing a few offline listening nightmares on my iPhone with the finiky Tidal app) The 34 minute, single track is like nothing you have ever heard, and if you have the patience, has one of the most haunting melodies ever to hit your ears.
commentsThe themes were: THE FRENCH CONNECTION
commentsAs a semi-completist Bowie-phile, I was inspired to acquire this 3CD box of revisited, pre-fame, early recordings. As a school kid in the early 70’s, and before I really knew who David Bowie was, I remember listening to the 1967 record “David Bowie”.
commentsA re-listen to this fabulous record cements this as one of the very best releases of 2022. Nothing conveys New Zealand’s societal pressures and bleak outlook, perceived or otherwise, better than Tom Scott.
commentsOk, when it really boils down to it, Hunky Dory is David Bowie’s best record. It’s best because it was my first, very innocent exposure to folky Dave transitioning into the rock’n’roll messiah.
commentsAnother great $1 find. Fat Freddy’s guitarist Tehimana Kerr goes solo on this merge of ambient, electronica and funk. Beautifully produced as you would expect, it’s an interesting and unexpected sonic journey.
commentsIt’s $32 Tuesday. Time to rip open another CD from The Red Cross Collection. I started out with Dum Dum Girls 2011 album, “Only In Dreams”, but gave up after a few tracks.
commentsYou can feel the smoke and whiskey blend hit your face as the big gravelly voice of Mark Lanegan oozes out of the speakers.
commentsOK, I wasn’t expecting this. Purchased mainly for it’s slightly unhinged cover, and because it was going cheap, I was a bit worried that this would be some weird, inaccessible, electronic squawlk fest.
commentsBlack Friday sales bring out the worst in me. I took advantage of sales at JB Hi-fi and Flying Out and bought a few CD box sets I’ve had my eye on.
commentsAnother $1 CD tonight. I wasn’t completely anamoured with this New York collective at first but I’m really glad I perservered.
commentsAnother random selection from my “Lucky Strike At The Red Cross” collection. This album on the Sub Pop label, turned out to be a side project by Fleet Foxes members Christian Wargo and Casey Wescott.
commentsThis is the first CD from my recent Richmond Red Cross haul and all I can say is it’s off to a great start.
commentsAnother couple of days with a house full of babies equates to a huge reduction in air moving from my speakers.
commentsThe themes were: a track that connects with another culture (lifestyle, country, ethnic group, political persuasion, gender identity, etc), a track that connects with a personal interest (stamp record collecting, flint knapping, ships in bottles, etc), a track that connects in some way with one or both of the preceding tracks. You can reveal the connection before or after playing the track.
commentsA simply stunning comeback record after nearly a decade off grid. Karen O stars again and the 3 piece are as tight as ever.
commentsI can’t say I’ve ever (intentionally) listened to The Grateful Dead. If I have in the past, its hardly been memorable.
commentsAfter last night’s fabulous, Afro-centric jazz monster, something equally rich and musical is called for. This drum’n’bass classic from England’s then king of Jungle, has moments of bliss.
commentsNow I remember why I still love vinyl! This remarkable recording featuring two African greats, drummer Tony Allen, and trumpet player Hugh Masekela, shouldn’t exist in any other format.
commentsA very sad day today with the passing of Mimi Parker. I was totally taken by surprise and devastated to hear of her losing her battle with Ovarian Cancer at just 55.
commentsThis is without any doubt at all, one of my favourite music documentaries of all time. This feature length doco highlights the magesty and splendor of Icelandic music.
commentsIn my persute of “making do” with what I’ve already got, I’ve even gone back to wired headphones via a little DragonFly DAC.
commentsI felt like some audio visual stimulation this evening. Part of my revelatory musical-medium rebirth, has me trawling through a rather splendid collection of multi-genre, multi-era musical collectives and individuals.
commentsGavin Harrison is probably the world’s best unknown drummer. He’s played bongos on many sessions for other musicians, but probably is best known (in the right circles) for his stick work with Porcupine Tree, The Pineapple Thief and the mighty King Crimson.
commentsThe only full-priced CD I bought during my sojourn to Auckland was this Pavement 2022 Redux. As a completist, this sits very nicely on my CD shelf along with the other 4 remastered/extended editions.
commentsI tried; I really did. I had a few things to listen to this afternoon, nothing I physically owned thank goodness, but I quickly became underwhelmed and even irritated with stuff passing as entertainment.
commentsI’m a new convert to James Mercer’s witty, whimsical stories and quirky, off-centre soundtracks. My first real taste of The Shins was a different kettle of fish entirely.
commentsStephen McBean, front man and guitarist of the fabulous Black Mountain, takes a trippy diversion with offshoot band, Pink Mountaintops. Fuzzed-out guitars, a wonderfully swampy, lo-fi production and wonky vocals makes for a real treat.
commentsDry Cleaning’s 2021 debut, “New Long Leg” was up there with my favourite peri-COVID releases. Despite it being a bit more restrained, this new record ups the musical ante significantly.
commentsI picked this DVD up in Auckland recently at Flying Out Records. It was sitting all alone, on a dusty old shelf, well removed from the tsunami of vinyl.
commentsI had a bit of a field day in Auckland during the weekend hunting for those (not so elusive) CD bargains.
commentsThis session was originally to be hosted by Martin. The fucking COVID unpleasantness put paid to that!
commentsI’m just reading a great, totally self-depreciating and honest book about Steven Wilson’s perceived failings as a rock star. Ok, it’s agreed, he’s no rock star but he’s a fantastic musician, producer, band leader (of several ensembles) and a complete music nerd.
commentsIf this record wasn’t so awash with psychedelic goo, it could be a lost Beatles record. The prevalence of ultra-hooky pop hooks is ridiculous.
commentsI actually stepped into “Stepping Out” following a very informative YouTube clip offering a list of the best sounding CDs to listen to.
commentsBulging to the brim full of bangers, this post-rave/downtempo collection requires little listening investment. The fact that it slaps you around the ears and envelopes you with warm syrupy beats and rhythms is enough.
commentsThis is music that simply stops me in my tracks. It’s not just a casual listen, it takes over every synapse and sinew.
commentsIt’s time to get the Tame Impala back catalogue out. They play live on Saturday 15th at Spark Arena. It’s been a two and a half year wait for a gig originally scheduled for Thursday 16th April, 2020.
commentsI picked up a few soon-to-be-tossed-out CDs while in Hastings over the last few days. (My Brother was having a clean out.
commentsI had my first listen to this hot-off-the-press album {OK, I streamed and downloaded it from off-shore servers somewhere in the ethers} from Taite Music Prize-winning hip hop / jazz project Avantdale Bowling Club.
commentsI was NOT prepared for this! Even my watch protested about the noise of the first track - screaming out something ‘bout “…exceeding decibels…30 minutes…potential damage…” It wasn’t just the volume; it was the shear harshness of the assault.
commentsAnimals has always been my favourite Pink Floyd record so I’m in two minds about people messing with it. While I do revere the original, I must admit, this 24-bit high resolution remix is significantly subtle is bringing everything to the fore.
commentsFabulous surf-punk-everything-including-the-kitchen-sink-psych. This is a recently discovered album from duo Stephanie Widmer (vocals, drums, didgeridoo) and Alexander Köck (vocals, guitar) aka Cari Cari.
commentsNever, ever judge a book, (or any record for that matter), by it’s cover. While most of The Oh Sees album sleeves are butt ugly, the music is anything but.
commentsThe themes were: R.I.P. , Break Up, Kiwi
commentsA classic non-album from the Betas. This is a compilation of early EP’s. Nary a missed beat from these Scotsmen. Brilliant, dreamy strum-along, sing-along anthems that traverse folk, rock and indie.
commentsFull of catchy riffage and pop-leaning hooks, this new release from The Beths should be great to see played live next week.
commentsThe genius of John Dywer never lets up throughout an array of different band monikers, (including Orinoka Crash Suite, OCS, Orange County Sound, The Ohsees, The Oh Sees, Thee Oh Sees, and Oh Sees), and a myriad of fluid genres over the last 25 years.
commentsNot a bad haul this. I got all three Appliance CD’s, including this debut, super dirt cheap at the big red shed during peak multi-format media acquisition days.
commentsA courier package arrived from Flying Out Records this afternoon. In that package was a compact disc (aka CD). This also happened to be a brand-new release from the undisputed boy with the silkiest voice in Godzone.
commentsI reached for a safety net this evening. Steven Wilson/Porcupine Tree is always an easy win to stimulate the synapses and trim back the auditory neurons back to normal.
commentsOK. I’m being right up front here. Give me actual, physical media over streaming any day. I reached for a randomly chosen CD this evening, put it in my repurposed Oppo Blu-ray transport and immersed myself in its warm, earthy, organic texture and sonic splendor.
commentsWhen we happen to have a visiting contingent of guests, related or otherwise, I’m always conscious of playing music in the lounge that does not challenge.
commentsThis ambient/techno record is startlingly apt for a day of national introspection. This makes a terrific soundtrack as one watches the fairy tale tributes unfold across multiple channels.
commentsA timeless masterpiece from my favourite, post-punk/decommissioned new romantic front man, neo-reclusive avant-jazzasist. Surrounded by extraordinary musicians, Robert Fripp and Bill Nelson included, this remains genre resistant.
commentsWhile I was completely gob smacked with the brilliance of 2018’s “Smote Reverser” , this is it’s little noisy brother. The same sentiments apply just as equally to this album.
commentsBob Stanley and Pete Wiggs present downtempo and after hours 1990-91 Another stupendous ACE Records compilation curated by fellow clevor Trevor’s Bob Stanley and Pete Wiggs.
commentsWhile it’s all over in just over 35 minutes, there is not one wasted second. What’s remarkable is that this was their only record.
commentsThe themes were: Old, New, Borrowed, Bonus Track
commentsI’m just loving rediscovering my big wall of sound. This big multi-level shelf of plastic and card-board cases hold the majority of my CDs, SACDs and DVD-Audio/Blu-ray discs.
commentsI really hummed and ha’d about “needing” to have this on vinyl. After all, I’ve already invested in the magnificent Nancy Sinatra 2 LP compilation “Start Walking” which spans the years 1965 to 1976.
commentsWhile there were a few fleeting moments sans John Foxx, with Ultravox version 2.0, which followed on after his departure, the original Ultravox was more of a real deal.
commentsThis record encompasses everything I like but is also unlike anything else I like. Does that make any sense? I really doesn’t need to.
commentsIf you can find a better sounding CD than this, I’ll eat my entire vinyl collection. I can’t even contemplate why you would ever listen to this on anything other than a CD or via decent streaming media.
commentsThe New Zealand-based “A Sonic Youth” podcast just keeps on dishing up truly splendid, under-the-radar, what-the-fuck-is-alternative-music-anyway, musical richness. That’s four absolutely killer references in four episodes.
commentsThis is guitar heaven for alt-rock/dirgey guitar slinger freaks. J. Mascis, as on this album, remains a true shred maestro with his trusty ‘63 Fender Jazzmaster amped up to the hilt.
commentsWho wants to listen to music when the sky is literally falling and the murky, dank flood waters are lapping at your doorstep?
commentsI heard a great song, “Popular” by this New York-based band on a recent podcast. I really needed to check them out a bit more.
commentsAnother faultless record from these Duluth-based, slow-core pioneering Mormons. (Incidentally, Duluth was also the birth place of one Robert Zimmerman). Recently picked up by Sub Pop records this is a major leap forward in instrumental layering and accessibility.
commentsRecorded in Saskatoon (Saskatchewan?) Nashville and Lyttelton, this country and western tinged folk record is a brilliantly realised collaberation between Cananadian duo Kacy Lee Anderson and Clayton Linthcium, of Kacy & Clayton, and New Zealand wunderkid, Marlon Williams.
commentsThe best of Spunk 1994-2004. 2xCD $24.95. As the blurbs says “Including rare & live tracks”. I love a good compilation.
commentsOh yeah! Parisian disco collective completely stuck in a 70s time warp. Banging out on my big B&Ws. Awesome! This evening I have been listening on:
commentsThe wonderful film “Screaming Masterpiece” introduced me to many great Icelandic musicians. There were many “wow” moments throughout this music documentary and it ultimately led me to this “band” and this astounding record.
commentsGreat 2nd release that merges mainstream Jazz with street cred Hip-Hop and successfully ticks the “really cool” box. While Vol.1 was the bee’s knees, this is still brilliant.
commentsWhile it couldn’t possibly top “Odelay”, it is a wonderful potpourri of brilliance. A decade later, his songwriting has matured like a fine wine.
commentsHad a bit of a false start with this one. Cable connection issues this evening from my turntable to my amplifier.
commentsWhen Alt-Country does Radiohead. This was absolutely panned by Wilco’s record company and seen as commercial suicide. Wilco refused to budge and left the label.
commentsThis absolutely beautiful album was lent to me several year ago and I have never been able to track it down since.
commentsWonderful debut from another Smith-led collective from Leeds. James Smith certainly sounds like a young, slightly less vitriolic Mark E Smith.
commentsThe themes were: 15 minutes of music either recorded in, or released in the year 1970
commentsDespite an erroneous apostrophe, the Stereo MC’s produced this stunner absolutely full to the brim with funky rap-infused belters. While the track “Connected” is the best known song, there are 12 other tracks equally as addictive.
commentsChicago two piece, Rebecca Gates, guitar and vocals, and Scott Plouf, on drums, make such a wonderful racket together. While it’s inherently a narrow soundstage, the chemistry and synchronicity between the duo is palpable.
commentsThis really was the “band” that shocked me out of any lethargy following the mid-70s/early-80s punk/post-punk correction. This is the epitome of no-wave.
commentsThe CD strikes back saga continues. I’m truly blown away by a few recent revelations that have now been fully implemented with spectacular results.
commentsBoo hoo hoo! The Zeppelin purists might just spit out their dummies when they hear this. This fabulous SACD has Venessa Fernandez and her amazing band, reinterpreting some juicy Led Zep tunes.
commentsI’m not sure why this album gets such a bad rap. Ok, it’s probably not The Massive at their peak of popularity but it certainly contains all of the elements that make it a sonically rich, refreshingly experimental and ultimately rewarding listen.
commentsOK there’s a bit of a back story to this. On my recent trip to Melbourne, I was adamant I was not going to contravene every carry-on cabin restriction, reinvent creative and discrete storage practices, or put my back out, smuggling hefty vinyl back to New Zealand.
commentsBlackfield - Recorded live at the Bowery Ballroom, NYC on 16th March 2007 OK, I’ve decamped all of my boxed up digital media and it’s living and breathing once more.
commentsI recently re-discovered this wonderful, satire heavy, musically rich, dignity intact record from a few decades back. Despite it’s parody of the almighty and sacred Led Zeppelin, it works so very, very well.
commentsHoly moly! This really came out the blue. While its clearly a side project of Thom Yorke and Jonny Greenwood, (and Sons Of Kemet’s Tom Skinner), it could really pass as an extraordinary new Radiohead record.
commentsOK, it’s been a good decade since Porcupine Tree shed their seemingly evergreen leaves and ceased to be. Steve Wilson, of course went from strong to stronger and his prolific output continued as a solo artist and wunderkid producer/remaster specialist.
commentsThe themes were: The theatre of the absurd, An artist that has NEVER been played at a SUAL session, Anything goes
commentsAs it says on the cover “an LP recorded in 2011” There’s definitely a tip of the hat to 1980’s goth a La The Cure, Clan Of Xymox, Sisters Of Mercy etc.
commentsBack in late May I discovered a fabulous, genre-less, probably more-prog-than-not, largely instrumental rock outfit from Italy. That record was a compilation of great, unreleased music from the mid to late 80’s and an addendum to this, their first and at one point, very rare, under-the-radar release.
commentsThis, the Volta’s fifth record, is their ambient acoustic country folk rock album. It’s as accessible as they ever get but if you think for a moment it’s not a proper The Mars Volta recording you will be completely deluded.
commentsSome might say that Morphine, a rowdy trio from Boston, are a bit of a one trick pony. Comprising of singer/slide bass player Mark Sandman, Dana Colley on tenor and baritone sax and drummer, Jerome Dupree, it certainly feels “samey” through out.
commentsThe argument about vinyl vs digital media is thrown right out the window when you stick a remuxed, DVD-Audio disc such as this into a half-decent media player.
commentsAnother trippy, dippy stoner psych release from the Y gene carrying, younger sibling of Angus and Julia Stone fame. Like his previous records, it’s all refreshingly lethargic and wishy washy.
commentsThis reminds me of the minimalist approach that Melbourne’s Jonnine Standish takes with her duo HTRK . While there’s more experimentation on that wonderful record, the less-is-more ethic taken on this record is similar.
commentsEmancipation of the dissonance and temperaments in irrational wavelengths. I really couldn’t have put it better myself. Electronic music, especially post-punk retro became my staple in the early 80’s as I explored the left of mainstream with Cabaret Voltaire, early Ultravox and especially Tangerine Dream the most rewarding.
commentsThis beyond extraordinary New Zealand film from 2003 definitely wouldn’t be everyone’s cup of tea (or cup o’ sick!). I’m not even going to attempt to explain it or even recommend it - if you want to know more, check it out here .
commentsQuite a rare find yesterday. This record is pretty impossible to find and definitely one to grab if you can find it.
commentsSome times old rock dinosaurs just need to lighten up a bit. Roger Waters especially continues to be an old misery guts and wallows in self-pity.
commentsWonderful turn-of-the-millennium expose on British life by auteur Luke Haines and co. How can you not like a song about the English motorway system?
commentsObscure yet outstanding 80’s Italian outfit that only ever released one solitary, self-titled album back in 1988. This FANTASTIC 2020 Record Store Day record contains 16 previously unreleased tracks from other recordings done between 1983 and 1989.
commentsThis cracker of a live session was captured on primitive recording equipment solely for the purposes of garnering interest for potential employment around the local clubs of Athens, Georgia.
commentsStrangeness personified. Intentionally radio unfriendly, Krautrock(y), squelchy, stoner prog. Perfect as a formulaic, poser-pop fly spray, this little gem completely tears up the rule book.
commentsThe best ever Indo-Afro Psychedelic Jazz band in New Zealand, these recordings date from the late 60s, early 70s, with most of the tracks unreleased demos.
commentsUsually I’m not overly bothered with a poet or spoken word artist and wouldn’t necessarily cross the street to involve myself.
commentsAstounding, just astounding!!! Allmusic.com - Review
commentsThis is beyond categorisation, it just “is”. Without deconstructing things too much, this wonderful recording by Tunisian multi-instrumentalist Houeida Hedfi, combines traditional folk music with an extraordinary array of contemporary genres.
commentsThis all instrumental, trance-inducing long player from Stereolab’s Tim Gane, while not far removed from the Labs mesmeric soundscapes, is sans his dirty old, reverb-rich, overdriven Jaguar and replaced with an all analogue, knob-twiddling, (over)indulgence.
commentsBig, brooding third record from collusive, fellow Dublin City Music College graduates now full time residents of London. They’ve done alright - three shit hot albums in as many years and a bunch of hooky foot stompers.
commentsHalf of the music I’ve been listening to has been from Australian artists. It’s ranged from hoary old troopers to minimalist noodling and stoner folk.
commentsDo yourself a favour and have a listen to this sure-to-be-an-absolute-classic New Zealand long player. This is without doubt the best Westie record I’ve ever heard.
commentsI picked up Dope Lemon’s second record, “Smooth Big Cat” a couple of trips back when I ventured across the big ditch to Melbourne.
commentsThe evening started out with a Monkees sampler. I’d just play side 1 of each of the 3 long players I’ve got of theirs.
commentsJust sit down, shut up and listen to this. This is not a record to have in the background. This is not a record to be doing anything else while you listen to it.
commentsOriginally recorded during his “Henry’s Dream” tour of 1993, this includes some truly incendiary versions of some stonking tunes across several albums.
commentsThis record has been well (over)hyped for the last 6 months or so. But you know what, in my book it lives up to every accolade that’s been thrown at it.
commentsGreat to have some new Calexico back on the turntable. Actually to be truthful, this is my first Calexico album on vinyl.
commentsI’ve kept this one up my sleeve. With lots of time to kill during the last couple of years of unpleasantness, Mr Cave and Mr Ellis have fabricated one of the most extraordinary and records I’ve had the recent pleasure of listening to.
commentsThis wonderful Hip Hop/R&B/Rap (whatever-you-call-it?) record from Islington born, British Ghanian, London lady, Simbiatu Ajikawo, was way up there on all of the “best of” 2021 lists.
commentsI knew absolutely nothing about this band other than they were completely underappreciated and are now worthy of re-evaluation. Well that’s what the hype sticker on the cover says.
commentsI managed to pick up one of only 200 copies of this, the Record Store Day release version, on beautiful yellow and blue vinyl.
commentsBOCs first ever recording (limited to just 100 copies), was this generous 38 minute mini-album. Always extremely difficult to find, it was finally repressed by Warp records in 2013 to appease the masses.
commentsThis second long recording from The Mars Volta takes things even further, if that’s at all possible, into more unchartered territory.
commentsHow on earth did this astounding record slip past me. In all honesty this early 80’s classic is one of the biggest sonic surprises I’ve ever experienced.
commentsThis is a fantastic return to top form. This is a band that just keeps being themselves. Considering that it’s been 6 years since their last album, 2016’s “Why Are You OK?
commentsThis 2009 EP was only ever available during the tour of that year. To say it’s unconventional would be under selling it to say the least.
commentsHoly Moly, Charlie Megira’s whole world has now opened up to me after a visit to my local recently. (The fact that my local is a combined craft beer pub and record store, means it’s the ultimate one stop shop!
commentsI heard a great podcast this morning when out for my morning walk. “Word Podcast” (aka “Word In Your Ear) a HIGHLY RECOMMENDED music nerd-fest, mentioned the fact that Jonathan Richmond sounds like no one else on the planet.
commentsSome of my very best purchases I’ve ever made are sometimes found in the new vinyl, bargain bins of the big mega music shops like JB-Hifi and Real Groovy.
commentsThis remarkable album of demos, half finished pieces and other in-studio recordings by cellist and studio magician Arthur Russell was released posthumously soon after his death in 1992.
commentsThis is a record that is bulging at the seams with wonderful invention and brilliant performance. If you have the patience, it’s a proper roller coaster experience.
commentsThis is one of the funkiest things you’ll ever hear. Miles’s short lived spouse and better half should have set the world alight with this, her stunning debut record.
commentsMy usual bag of coffee beans has gone up by $2.50 over the last couple of months. WTF! Now that’s serious and potentially troublesome for my boy and his two-cups-of-my-coffee-a-day habit.
commentsI just loved Dan Snaith’s (Caribou’s sole band member) 2014 record “Our Love” so I couldn’t resist picking up this 2021 repress from a decade earlier.
commentsI’ve been listening to this wonderful EP on repeat via streaming services over the last couple of weeks. I just can’t get enough of it.
commentsFirst listen to this brand new release hot off the record press. What is truly remarkable is just how unique this long player sounds.
commentsI recently found a copy of this absolute masterpiece on vinyl during my recent travels. It’s a 2009 USA pressing produced by USA label “Light In The Attic Records”.
commentsLush is the word that sums up this wonderful mid-80s record. It’s also up and over the brim with charm. A bit dated could also apply but the song-writing and impeccable production make up for any deep dive into that discussion.
commentsThis Melbourne outfit is another great discovery of late. Really hard to pigeon hole into any genre. As it says on the hype sticker “…this is inspired by funk, library music, cinematic scores, soul, psych-folk-rock and wonky synths.
commentsI may or may not have seen Ragnarok at the Racecourse Hotel, Hastings as a highschool lad back in the day.
commentsTo these ears this is one of the best records that Pavement didn’t make. While you could say that the Flying Nun label mates of this Auckland-based outfit taught the Paves a thing or two, this group are just as effective at playing sloppy, effortless and slightly off kilter pop music like the big boys of the era.
commentsI took a bit of a gamble with my record buying this evening. It’s becoming a bit of a habit lately, buying stuff I know nothing about.
commentsWhen these Canadian Space Rock Psych Warriors put any record out, you know it’s always a wall to wall riff fest.
commentsA nice little, albeit dated, excursion tonight listening to some late 60’s English Loonies. I spotted this 1986, nearly mint pressing, at a second hand record shop in Napier.
commentsThis recent compilation kicks off with a shimmering guitar, hefty with reverb, bereft of much else in the way of accompaniment and Ms.
commentsThis record was on high rotation during the late 70’s, early 80’s as punk gave way to the much richer and diverse palate of post-punk/new wave.
commentsI first encountered the great Mark Hollis and Talk Talk via their third release 1986’s “The Colour Of Spring”. I kind of ignored the previous two records including this one, their 1982 debut.
commentsI’m a bit disappointed with this new “special edition” release. The music is brilliant, the packaging and blue splatter vinyl exceptional.
commentsI didn’t hesitate one second in picking up this fabulous food-fixated first-in-class classic record at Palmerston North’s JB-Hifi during my recent travels.
commentsI’ve just spent the last week or so travelling up North between Wellington and Hawkes Bay. After giving up hope of finding any decent stand-alone records shops I found an amazing little treasure trove in Waipawa, Central Hawkes Bay.
commentsThe themes were: _Remaining, Or returning - e.g. bands that have never broken up, or have reformed, or members who’ve left and come back, Leaving - E.g. bands that have broken up, or band members who’ve left to forge new careers , Gone For Good - E.g. someone from the latest crop of rock, etc, deaths _
commentsThe themes were: Continental Drift
commentsThis is one of those records that would have really frightened the normals. Especially considering it was the early 70’s. It’s sleazy and confronting.
commentsHoly Moley where do you start with this?! While hailed as one of the most important rock recordings of all time when they delivered their revered “OK Computer”, Radiohead went even more left field with these evil twins.
commentsI don’t always go for remixes, but this band just screams out for the treatment. While the Khruangbin sound takes a very slight step backwards in the mix it’s a den full of very tasty disco bangers this evening.
commentsThis CD sits right at the very top of my collection. OK, alphabetically it’s a given, but musically it’s simply an embarrassment of riches.
commentsShit, I’ve heard many worse records than this one. Apart from a little bit too much sax and a funky dance vibe it’s a salvable remnant from the Mr.
commentsThis is a remarkable comeback record for the 72 year old, ex Fleetwood Mac guitar and song writing maestro. Ousted from the band in 2018, probably mostly by his own doing, and battling major health issues, he’s made a record that could sit alongside those BIG Mac records of the mid-70s.
commentsAside from the impeccable music on this record, the first thing that really strikes you is the quality of the packaging.
commentsTrack 1, “(Theme from) The Monkees” is one of my all time favourite childhood memories and still fills me with delight to this day.
commentsMerseyside’s, The Coral have never made a duff record in all of their 20 plus years of existent. This new record is another album filled to the brim with greatness.
commentsI happened upon Anne Clark via the great 2018 documentary “I Will Walk Out In To Tomorrow”. Prior to that I was aware of but not at all familiar with her music or her brilliance.
commentsNothing prepares the listener for this. It’s Arthur Russell’s only non-collaborative record consisting of cello, voice (somewhere between Boz Scaggs and Nick Drake) and in-studio or live, sounds and textures.
commentsThis is an absolutely fabulous compilation of Japanese rock, electronic and fringe dwelling music from the 1980s. Impossible to find the conventional way, (but I’ll keep looking), this is courtesy of a subscribed lossless website.
commentsAnother record I’ve been holding off listening to. The moment needed to be just right. Saturday afternoon and I’m not feeling so sharp, so on the turntable this wee gem goes.
commentsMy Aussie mate Maurice bought this CD for me during our 2021 by-the-seat-of-our-pants visit to Melbourne. It’s my first listen to this Sydney-based band and I must say its a rather pleasurable experience.
commentsThis is was one of my holy grail records to find on vinyl. Jason from “My Music Taupo”, who by the way has one of the best record shops in all of Aotearoa, found it for me.
commentsThis is a brilliantly mixed up, but carefully contrived mess, that just sounds sensational in all of it’s vinyl glory. It’s the sort of record that also holds you to account.
commentsA beautiful, unconventional rockabilly blues record from now departed Suicide co-founder/co-member, Alan Vega. This could quite easily be an old time blues record backed by any number of 70’s era Krautrock bands.
commentsI heard “Starman” and “Suffragette City” on the car radio this morning. The realisation soon hit me - Ziggy is 50 years old!
commentsThe themes were: Hot – whatever interpretation you wish, Video round – everyone gets to share some good visual stuff, Cool – whatever interpretation you wish on this one too
commentsI’ve been waiting a long time to find this record. This is the first (proper) record by Tuscon, Arizona duo Trees Speak.
commentsA recent Record Store Day vinyl compilation of a long lost, Japanese only CD from the long defunct Pale Saints (from Leeds) Pale Saints were often on my playlist back in the 90’s and one of my 4AD staples.
commentsAnother absolute stunner from one of Afrobeat’s finest. This 50th Anniversary Reissue is “coolness” personified. Fela was best mates with Ginger Baker, who apparently, (this is uncredited on the album), helps out on the sublime “Egbe Mio”.
commentsThis is probably where it all began for me. Still my most important Beatles record. Some gasp that the Beatles records have been remastered from digitals sources.
commentsAt this moment in time, I can’t think of any English actor more watchable than Matt Berry. He’s great to listen to as well.
commentsStarting of with a discordant mess worthy of “Jazz Club” *, this record quickly asserts itself as a mix of 70’s jazz fusion, funk and cosmic greatness.
commentsI’m not really sure how I feel about this record - I’m listening to it as I type. This is the first time I’ve heard this since acquiring it as part of the massive “Brilliant Adventure” box.
commentsOne of the best opening songs I’ve heard in a long time, “MTT 420 RR”, (literally the vocalist’s own historic car crash), sets the stage for a remarkable journey.
commentsThe more I dig into German music of the last 50 or so years, the more I am blown away. This outrageously great funk record sounds like it belongs back in the 70’s but with today’s state-of-the-art production it’s unmistakably contemporary.
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