Paganini Caprice no. 5 | Sumina Studer
A violin piece known for its incredible speed and extremely high technical difficulty, flawlessly executed by 19 year old.
commentsA violin piece known for its incredible speed and extremely high technical difficulty, flawlessly executed by 19 year old.
commentsShane MacGowan (25 December 1957 – 30 November 2023)
commentsA really enjoyable, laid-back 40 mins of improvisational Jazz piano
commentsBobby McFerrin demonstrates the power of the pentatonic scale using the audience. Robert Keith McFerrin Jr. (born March 11, 1950) is an American jazz singer and songwriter.
commentsTrio Mandili (მანდილი, “woman’s headscarf”) is a Georgian musical group which currently consists of Tatuli Mgeladze (თათული მგელაძე), Tako Tsiklauri (თაკო წიკლაური), and Mariam Kurasbediani (მარიამ ქურასბედიანი).
commentsThe drummer accurately nails the complex electronic beat from the song on a drum kit. The Bad Plus playing “Flim” at the New Morning in Paris on October 5, 2010.
commentsWe quaffed mead (does it still count as quaffing if you only have a thimble full?) and explored unfamiliar territories: funk, rap and prog.
commentsGasper, lives a quite modest life in the small town of Nkhata Bay on the shores of northern Lake Malawi.
commentsA short documentary on Delia Derbyshire - the unsung heroine of British electronic music. Delia Ann Derbyshire (5 May 1937 – 3 July 2001) was an English musician and composer of electronic music.
commentsAfter a short hiatus (did anyone even notice?) we are back. We’ve migrated our history of sessions and David’s album reviews/listening journal to a new (and cheaper) site.
commentsWe learned that not everyone listens to different types of music on different days of the week, that 2 members down and an earlier start means we all go home early, and that Daryl Hall wears sunglasses when inside and always looks super-pleased with himself
commentsWe got to hang out in Nick’s expanded living space and spin some records.
commentsNathan’s guest hosted session (thanks Bruce) in which we explored the benefits of being a cheapskate.
commentsGazza was absolutely persecuted, nay despised by the music press and completely ignored by the radio jocks after his early fame.
commentsThe themes were: Play one of your “Music Oracle” cards. , Music used in Film, Television, or streaming video services., Fill your boots.
commentsI picked up this rather nice, vinyl re-press for bugger-all back when The Warehouse was a proper pot pouri of un-loved and abandoned musical media.
commentsThis simply wonderful 2020 remaster by New Zealand pioneers of electronic dance music is like a big warm hug. While sounding somewhat naive these days, it’s reassuring that this record was part of my life.
comments(code only faster: crossing the line from vocal to instrumental and back) This posthumous release from Arthur Russell, who died in 1992, is certainly not the place to start your musical journey through his back catalogue.
comments1998’s “The Gathering” was a musical event I would never have contemplated ever attending, unless I was serving up curries to the masses.
commentsThis Triple LP pressing, on hefty purple vinyl, is a compilation of “Italians Do It Better” label artists. It oozes effortless cool from every groove.
commentsTake Massive Attack’s “Mezzanine”, give it a bit more edge ala The Prodigy, then add Toni Halliday’s calm but devastating vocals into the mix.
commentsOriginal Heavyweight Afrobeat, Highlife & Afro-Funk. This fantastic compilation, from Strut records, is a brilliant showcase of West African music from the 70’s.
commentsNot only frightening, frighteningly good. This debut album from Scottish duo, Michael Sandison and Marcus Eoin, would not be something I’d recommend to ease your morning commute with.
commentsThe themes were: Sounds Of The City
commentsI’m not sure how this album got on my Tidal playlist or how I first heard about it, but what a blinder of a record!
commentsThis stonkingly great 6 Track, mini-album comes from the remnants of the incredible band Low. Led by Alan Sparhawk, and joined by his son Cyrus, this music could not be any further away from Low’s remarkable musical legacy.
commentsUniversally loved or loathed, this debut record should have kick-started the demise of the dinosaurs. Unfortunately, no one was really listening.
commentsIt must be said, grand kids and audio equipment are not in any way compatible. Usually I have just my single black box, NAD C700 amp/streamer, Theophany speakers (woofers and tweeters - which are well protected by metal) and concealed sub, in the lounge.
commentsSometimes country music can be right up on top of my “this-genre-ain’t-for-me” list, along with some god awful Jazz. While this is most definitely a country album, it doesn’t even come close to making that list.
commentsBob Stanley & Pete Wiggs Present English Weather. The autumnal sound of Britain at the turn of the 70’s, looking out through wet wind panes to a new decade with a mixture of melancholy and optimism to what might come next.
comments1998’s “The K&D Sessions” is a big 21 track, 2-hour plus, 6-LP behemoth of blissful bangers and downtempo/trip hop reworks of other artists material.
commentsHoly cow! This monster is quite something else. While I don’t dig the more chaotic avant guarde elements, there are some simply stunning arrangements and performances.
commentsThe themes were: Any track appearing on a bona fide Studio album. No live recordings, compilations, best of’s etc etc., Another track pulled from the VERY SAME album that has provided track 1., A cover song.
commentsAs Kiwi as Bro! This is a sensational six track EP release from Christchurch-based Mako Road. I first heard this on “A Sonic Youth” podcast (my firm favourite for better-than-decent new and re-discovered music) A band that has truly flown under the radar.
commentsEverything about Mr. Prolific here, and even more so since the demise of former band Smog, is the richness of his ever maturing voice, along with the power of his story telling.
commentsQuite a strange trip this evening. This French outfit play a progressive type of jazz and rock music. Listening ecxlusively on headphones and DAC, its quite an emersive experiece.
commentsThis 2022 release, gathers together a bunch of 30 year old, dance-new wave fusion tracks from multi-cultural collective, Saâda Bonaire, natives of Bremen, Germany.
commentsI just love it when you can hear the strings rattle on the frets and actually feel the reach of the singer’s breath.
commentsI know absolutely nothing about Sublime. I always thought they were just another stoner, spliff-toting, skateboard pretenders. How wrong was I.
commentsI’ve held back long enough. This is the moment to finally release the Glaswegian beast. This has been tucked away, unplayed, to allay my expectant disappointment.
commentsHole’s second record, 1994’s “Live Through This” remains one of my top album contenders across any genre. While it’s peak grunge, it still has one of the highest, and surely not legal, quotas of hooks possible on a single record.
commentsThis album is the 4th in the Nancy Sinatra Archival Series on “Light in the Attic” records. Beautifully packaged and remastered, they look and sound fantastic.
commentsAlong with The Super Furries, these fellow Welshmen, proudly celebrate their musical heritage as well as their language. Mixing things up equally in both English and Welsh, it works effortlessly.
commentsThis recording is as close to improvisational “free” jazz as I’m willing to ever venture. Can never just play their last record, they deconstruct, reconstruct or completely destroy it at every opportunity.
commentsGod it’s good to hear Tracey Thorn’s fabulous voice again. While she’s dabbled with several great solo records, this is her teaming up again with husband and chief knob fiddler, Ben Watt.
commentsPicture this scenario; “let’s have a look around this vehicle, pick the nearest object and use it to name our band”.
commentsMy second and only other RSD purchase was this little gem from Dunedin’s, now long-defunct, Cloudboy. While I didn’t know anything about this record, or the musicians involved, it was a record they were running out of around the country very quickly.
commentsSoundtrack from the Guillaume Podrovnik Documentary. It’s Record Store Day (RSD). Translation = an overhypered, completely contrived day to celebrate the market-induced scarcity and fleecing of fully suspecting vinyl buying punters.
commentsA lovely first listen to Australian singer, Jen Cloher this evening. This beautiful recording took me completely by surprise. Folky, gritty, poppy, and at time crunchy rock.
commentsWow! This is one of the most stunning sounding records I’ve heard in a long time. Not just production-wise, it’s a musical masterpeice.
commentsThe themes were: The letter S , The letter U, The letter L
commentsComing up to it’s second decade, this incendiary debut album from London-based Quartet, Bloc Party, is refreshingly “rock”. No fancy keyboards or unnessecary embellishments, this is just a slam of guitars, bass and drums and some vitriolic vocals from Kele Okereke.
commentsBy my count, this is record number 20 (since 2012) for this Melbourne sextet. The truly amazing thing is, and I take the reviewers’ word for it, they all sound different.
commentsWhile not prolific, averaging 3 to 4 years between records, Mark Linkous is consistent in his greatness. There’s never a note wasted on all of his records.
commentsThe Stranglers were always outliers, probably before the term was even in the common vernacular. Their first two records were right in the thick of the punk ethos but strangely dissimilar to anything else.
commentsYou’d think I’d be sick to death of Lana Del Rey. This is her 9th record since 2012’s “Born To Die”.
commentsUnlike the Cure’s later, post 1992’s “Wish” albums, the Bunnymen HAVE continued to make great records. While The Cure re-peddle their magnificent back catalogue, Ian McCulloch and Will Sergeant have managed to be creative and sound as fresh as those early days.
comments50 years ago, Takashi Mizutani and his bunch of fellow Japanese ruffians hung out at OZ, a cafe and live performance venue in the heart of Toyko’s Kichijoji neighborhood.
commentsRIP: The Great Ryuici Sakamoto, founding member of YMO, actor, record producer and composer/muscian, died after a long illness on March 28th.
commentsThis 2022 half-speed-mastered, repress of The Who’s 3rd record sounds ridiculously good. Entwistle’s bass guitar especially comes to the fore but there’s amazing staging of all instruments.
commentsThis was right amongst the pomp and excess of the times. Eno had long gone and Bryan Ferry oozed confidence as the suave frontman.
commentsJust what we need, some bright and summery uplift. Beautifully packaged with embossed gold lettering and a big bold gatefold sleeve, the vinyl matches the cover and is pressed on gold nugget vinyl (Legendary Edition.
commentsAnother great Alison Goldfrapp/Will Gregory Collaboration. There’s no end to the talent of these two. While nothing will improve on my first exposure, this is one slick record.
commentsAnother all instrumental release from Tuscon’s best avant-garde, neo-psychedelic, Miles Davis Bitches Brew-era protagonists. Absolutely made for vinyl, there’s no other way to replicate and consume their retro-70’s schtick.
commentsThe themes were: _ Song of the 🌎 Earth, The Love 😍 generation. , The heat is on!_
commentsOK, it’s quite corny in places but that only half describes this slightly easy/uneasy, but effortlessly listenable recording from Hawaii’s premier ex-shoe shining, piano shop proprietor.
commentsWow! This ain’t rock’n’roll, this is an electro-cabaret masterpiece. Tricky prodigy Alison Goldfrapp, croons like Liza Minelli, yodels like Melanie Oesch, and whistles like Roger Whitaker.
commentsI didn’t know anything about this recording before playing this via Tidal this evening. As the reveiw states “Saxophonist Kirsten Edkins delivers a delightful and charming batch of mainstream jazz with her engaging and exuberant debut Art & Soul.
commentsFor various reasons, I felt a little nostalgic this evening. Before Bowie and T-Rex came along, Elton was my goto artist.
commentsFantastic debut from New York-based group Asobi Seksu. While firmly in the noise rock genre, it’s fabulously diverse throughout. On the very first listen there’s a lot to like about this record.
commentsIt’s March already. Let’s kick things off with this magnificent beast. No vocals to get in the way just their majestic soundtrack.
commentsDavid Bowie - The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972) Tangerine Dream - Phaedra (1974)
commentsThis record is so refreshingly old school. Like similarly discordant outliers, Sonic Youth, it’s a messy, chunky but palatable goulash.
commentsThe themes were: Back to School, Voice , Don’t Judge a Book By Its Cover
commentsA very easy choice tonight. When you are out walking and the dog makes a bee line for a young American woman wearing a Lord Huron “Long Lost” T Shirt, there’s a clear message there.
commentsHere’s yet another fantastic band from Melbourne. Several recent favourites of the last few years have come from this town. Duo Zoë Randell and Steve Hassett have breached their folky ways and delivered a rich, cinematic experience far removed from the traditional acoustic fare.
commentsSingles 1978 to 1989. At times abrasively authentic, at other times delicately ridiculous, this rough and ready collection presents a quirky collection of non-album tracks and singles.
commentsTime warp, flash back alert. There’s a somewhat wacky (corny even!) minimalistic analogue synth and drum machine vibe happening on this surprisingly catchy recent release.
commentsThis is another vinyl relic that’s been added to my “Essentials” vinyl collection. This 2019 re-press is NOT the Steven Wilson remaster but the original 1980 pressing.
commentsWhat I have here is possibly the single greatest bargain of my entire music media collection. This 4x CD compilation and 50 page, brilliantly informative hardback book, cost me 79 cents.
commentsDon’t judge me! This is a fabulous chill-out, sonically pleasing, guilty pleasure. All the Enya you’ll ever need on a single release.
comments30 odd years ago, one of my prized possessions was a bootleg copy of “His Master’s Voice”, Bowie’s last stand as “Ziggy” at the Hammersmith Odeon on July 3rd 1973.
commentsGoing through the top albums lists of the previous year is always a great way of letting others do the heavy lifting in one’s search for new music.
commentsJust thought I’d dip into a track or two to sample my new laptop/DAC/headphones setup. I never left. That headphone setup is now my new benchmark for the best way to listen to serious music.
commentsThe themes were: F@%# Off 2016! - A song or musical moment that exorcises the ghosts from 2016. , Now that’s a bit random - Randomly select 3 albums (CD or vinyl only - no video) and bring them along, Who let the cows out - The track you select must contain a cow bell as an instrument.
commentsThe themes were: Happy: Surely we aren’t in for another annus horribilis? Let’s introduce the year to “Happy”., New: Bring something newly discovered, preferably from this century., Year: An age, an era, a measure of time.
commentsLast night’s effort, while pleasant enough and engaging, was never going to threaten these two crooners. While possibly the eipitome of polar opposites in singing styles, there is something truly other-worldly that glues this all together.
commentsThird time lucky. I tried to listen to a couple of CDs from “The Redcross Collection” this evening. That was a painful 6 minutes of my life that I’ll never get back - they were truly hideous.
commentsA fantastic post-Bauhaus compilation of Daniel Ash’s side project prior to establishing the equally wonderful Love & Rockets. Like some Ziggy Stardust/Mick Ronson clone, Daniel Ash exudes the combination of squalling guiter slinger and crooning frontman.
commentsThe audiophile vinyl box set of this has just been released. While I’m not at all interested in an analogue version of a digital recording, the high resolution bu-ray version will do me nicely thanks, I did watch a YouTube reveiw by German vinyl guru Michael of 45RPM Audiophile fame.
commentsThere’s been a recent but gradual (r)evolution in my musical consumption of late, firstly with the introduction of headphones, but now taken to the next level with the purchase of a dedicated headphone DAC.
commentsI picked up this original 1968 pressing recently as I was aware of it’s apparent legacy as a stone cold Psychedelic classic.
commentsThe big news of the day was the passing of guitar maestro and personal hero, Jeff Beck. I chose not to spend the evening playing his music but did play a couple of tracks earlier in the day.
commentsI don’t know why I even bother reading reviews on “Pitchfork.com”. Despite being around for more than a decade, Alt-J is a very recent discovery.
commentsThis multi-national collective make some of the most magical music I’ve heard in a long time. Another band that is genre-less (a favourite genre of mine) which I’d put firmly in the Broadcast and Stereolab camp.
commentsI’ve always been really impressed with the the non-genre disclosure of this very clever English gentleman born to Ugandan refugee parents.
commentsI’ve finally got my space/place back where I can listen to the weird shit. With my grandkids now safely back in Australia, some semblance of order or disorder returns.
comments1996’s “Walking Wounded” and this, their last record as EBTG, have aged very well indeed. Moving from acoustic folk/pop music to electrified trip hop and dance was a bit of a bold move.
commentsFuck Yes!! While there’s some poppy, happy-clappy stuff on this record (incidently, this is the brand new, freshly minted 3CD deluxe edition), there’s still a wonderful, post-“Disintegration”, doom-laden dirge as thick as treacle.
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